浅析“非主流”文字设计方案及其未来.docVIP

毕 业 论 文 浅析“非主流”文字设计及其未来 专 业 艺术设计（平面） 学生姓名 刘 玲 班 级 B平面081 学 号 0811204118 指导教师 黄 本 亮 完成日期 二○一○年六月 目 录 摘 要 ……………………………………………………… ( I ) Abstract ……………………………………………………… ( II ) 一、“非主流”文字的起源………………………………………( 1 ) 二、“非主流”文字的特征…………………………………… ( 1 ) 三、“非主流”文字的类型……………………………………( 2 ) 四、“非主流”文字设计 …………………………………………( 3 ) （一）内涵再设计………………………………………………( 3 ) （二）外形再设计……………………………………………… ( 4 ) （三）笔型再设计……………………………………………… ( 5 ) （四）简化归纳…………………………………………………( 5 ) （五）解构重组…………………………………………………( 6 ) 五、“非主流”文字应用……………………………………… ( 6 ) （一）艺术创作领域…………………………………………… ( 6 ) （二） 生活实践领域…………………………………………… （ 7 ） 六、“非主流”文字设计的未来………………………………( 8 ) 参考文献……………………………………………………… ( 9 ) 致谢…………………………………………………………………（ 10）  浅析“非主流”文字设计及其未来 摘要：非主流是与官方主流字体不同的另一种字体，由符号、繁体字、日文、韩文、冷僻字等非正规化文字符号组合而成。非主流非主流非主流非主流非主流非主流非主流非主流文字尴尬的、矛盾的状态中升华 关键词：非主流 文字 再设计 网络文化 Analysis Of Non-mainstream Character Design And Its Future Abstract：’s continuous designation and creation. A great deal of graphical character works which come down from Chinese traditional culture had proven powerfully to us that the design of graphical Chinese character was feasible and had great potential, and would be a beneficial edification in the field of graphic design which could direct us to design graphical character. It is a process that the graph creativity sublimating of the Chinese character civilization with the evolving and creating again from the traditional glyph to the modem Chinese character graph, It is advantageous not only to the commercial promotion of modem internationalization, but also to the research and development of Chinese character itself. Finally, through analyzing the world famous designer’s work, and combining my designing experience, the paper has discussed the innovation mentality of diagramming Chinese character in contemporary plane design. Key Words： Chinese haracter Non-mainstream Structure Redesign 浅析“非主流”文字设计及其未来 一、“非