金基德论文暴力美学论文：浅析韩国导演金基德的影像风格.doc

金基德论文暴力美学论文：浅析韩国导演金基德的影像风格 摘 要：从这个导演的个人生平,影片介绍、影片的主题特征、导演风格和表现手法等多方面进行立体的全方位的研究,重新给予金基德以定义。他所拍摄的影片在视觉上充满了水墨画般或绚烂或幽暗的迷离幻景,影片中那些往往被剥夺了生存基本权利、失去了做人起码尊严的边缘人物就在这样的画面下悲惨演绎着激烈的性、暴力、死亡等主题。金基德用饱含血和泪的影片关注被损害后绝望、堕落中挣扎的人间百态,同时在黑暗世界里闪现出的希望的火花和美好的幻想也被他敏感地捕捉。金基德像苦行僧一样按照自己的方式拍着电影,一部又一部地揭示出生活在社会底层的 关键词：金基德；黑色影像；暴力美学；孤独的人物 abstract：trying to correct the angle of view, this thesis studied kimki-duk from several points, personal lifetime history, introductions of films, main theme and features, style of directing, and approaches for express included . in a word, redefine kimki-duk base on every aspect of his own. there are both gorgeous and dark visual scenes emerge in kimki-duk’s works, sharing the same characteristic with wash painting. those people whose humanity rights were taken or whose dignity got lost, so called marginal men, take action in those kind of scenes that i just mentioned above. they perform sex, violence and death, which are all pathetic but nothing. kimki-duk’ pay great attention on desperation, harm, corrupting and struggling, this kind of segments that mirror reality in the means of his own movie that full of tear and blood. on the other hand, kimki-duk does not miss any spot of flame out of wish or sight for fantasy. kimki-duk makes films in his own way, mostly saying, as a ascetic monk, only to reveal those unbelievable sorrow and desire which come from the very bottom of society. one movie and another, achieve he did. key words: kim ki-duk; dark vision; violence esthetics; lonely figure 绪 论 ,他的电,结合他的从影经历,对金基德的电影世界作一次较为全面的研究。纵观金基德到目前为止的所有作品,就其叙事主题而言,基本可以归纳为三个主要方面,即对历史政治与人性的深切关注、对韩国社会人文道德的深刻反思、对人性罪恶与灵魂救赎的终极关怀。通过结合金基德的成长经历与从影道路,逐渐梳理出金基德电影作者的形象。 :人物设置的失语状态、女性意蕴、力求震惊的电影语汇、影像空间的韵味、常 金基德的影像世界就像是一个符号化的世界，这些视觉符号承载了复杂而丰富的意义，具有强烈的象征性和抽象性，从而充满着哲理性和隐喻性，理性与非理性复杂的在他的影片中交织缠绕。这种交织既凸现了作者独有的时代性视角,也突现了本土性、民族性、地域性和具体作品的特性以及他自己的个性。 （一）坎坷的前半生生活 金基德1960年生于韩国庆尚北道奉化郡的一个贫困山村，自幼酷爱绘画，少年时家境贫寒使金基德过早丧失接受正规教育的机会，中学尚未毕业就踏上社会，开始了颇为艰难的人生旅途，在此期间他丝毫没有接受过有关美术或者电影的正规教育。金基德的青春期几乎都是在工厂里渡过的，为了谋生他离开学校后在