古代舞蹈的遗存——於菟(The remains of the ancient dance - wutu).docVIP

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古代舞蹈的遗存——於菟(The remains of the ancient dance - wutu).doc

古代舞蹈的遗存——於菟(The remains of the ancient dance - wutu)

古代舞蹈的遗存——於菟(The remains of the ancient dance - wutu) The remains of the ancient dance - wutu The remains of the ancient dance, refers to still spread in the folk dance in some primitive culture concept of folk dance form, it is also known as the history of art living fossil, we study the development of human art image and vivid live data. This phenomenon remains in Chinese minority folk dance in the most outstanding performance, such as: reflect the original human reproduction worship of Tujia folk dance Mao Gu Si; reflect the life of hunting Ewenki dance tiger jumping performance; the ancient war atmosphere of the Jingpo dance knife dance, dance dance Qiang armor wow, Tibetan Dance pot, the performance of fire worship Ewenki dance a dance dance, Dulong cattle nimble dance and reflects the ancient human totem worship, animist religion Shaman Dance. These dances have attracted wide attention of Chinese and foreign scholars. Located in the southeast of Qinghai - Xizang Plateau in Tongren County, Qinghai Tibetan Autonomous Prefecture in Huangnan province of the Turkish Wutu dance . For people who is a stranger, a knower. In Qinghai province Huangnan Tibetan Autonomous Prefecture Tongren County in the long river, located in a Tu village - all villages. Here has pop a beast to dance -- Wutu dance wizard operation. It is a very old folk custom, dating back several hundred years ago. Wutu dance, dancers dressed like a tiger, this animal plays with them is closely related to the survival of animal image, is their totem image. Dance is the original form of the original human emotions, which made the clan emotion and primitive religious significance, not only reflects the ancient human totem worship, and is the representation of the original religious culture of human animist ideas, namely shaman legacy. Wutu dance as a kind of Shaman culture remains dry in Nianduhu village, with its distinctive national and regional and profound cultural connotation. This chapter tries to an

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