李斯特《梅菲斯托圆舞曲》的演奏研究-西洋乐器演奏(钢琴)专业毕业论文.pdfVIP

中文摘要 匈牙利作曲家费朗茨•李斯特(Franz Liszt，1811-1886)，是在西方浪漫主义时期活跃的一 位伟大的钢琴表演艺术家，他凭借高深的钢琴演奏技巧和作曲表现手法而被广为人知。他在 1860 年改编的钢琴曲《梅菲斯托圆舞曲》在他的钢琴改编曲中占有举足轻重的地位。本文通 过从对其剧情发展为引线，结合李斯特的创作手法，分析情绪的表达、演奏技巧难点、以及 练习方法。用故事情节发展的眼光去观察音乐，推动乐曲的演奏，在音乐表演中，再化为动 听又有着神秘色彩的故事讲述给听众，从而使自己的演奏技术有一个很大的提高。在理解作 品内容的基础之上，将演奏技巧与音乐表现完美有机统一在一起，塑造出一个属于自己的“梅 菲斯托”。 关键词：李斯特 《梅菲斯托圆舞曲》 剧情与情感 演奏分析 I 万方数据 英文摘要 Hungarian composer Franz Liszt (1811-1886), is active in that great piano performing artists in the West Romantic period, by virtue of his profound piano playing and songwriting skills and performance practices are well known. His Mephisto Waltz plays a decisive role in his piano transcriptions in 1860 adaptation of piano music. In this paper, from the development of its lead story, combined with Liszts creative approach to analyze the expression of emotions, difficulty playing skills, and practice methods. With story development perspective to observe music, promoting music performances, music performances, and then into a beautiful but also has a story about the mysterious to the audience, so that their technology has played a big improvement. In understanding the basis of the content of the work, performance skills and musical performance will be the perfect organic unity together to create a one of their own Mephisto. Keywords: Liszt Mephisto Waltz drama and emotion play analysis II 万方数据 目录 中文摘要I 英文摘要 II 引言 1 第一章 《梅菲斯托圆舞曲》的创作背景及故事剧情 2 第二章 《梅菲斯托圆舞曲》分段演奏分析 4 第一节 引子及魔鬼梅菲斯托的登场、舞曲出题 4 第二节 爱情主题出现。