玛丽莲梦露与相机13.pdf

The great French photographer Henri Cartier-Bresson, who with Inge Morath (later to beco e Arthur Miller’s wife) was sent by Magnu for the first two weeks of fil ing for The Misf its, took this picture of Marilyn Monroe. Ernst Haas, another Magnum photographer, was responsible for this shot, which best expresses Marilyn’s attitude toward The Misf its. Marilyn saw the film as a men-and-mustang story and felt more and more neglected the longer the filming stretched on. The star and the floodlights: Marilyn, thoughtful and alone, with the set equi ment. Photogra h by Ernst Haas, 1960. On March 7, 196 1, Marilyn Monroe was accosted by re orters while leaving Columbia Presbyterian Medical Center. Although she had s ent a month in sychiatric treatment, and in s ite of the unusually noisy hounding by the re orters, Marilyn still found enough time and energy for a smile. After Marilyn’s divorce from Arthur Miller and her release from the psychiatric clinic, Joe DiMaggio once again looked after her. This snapshot taken through a windshield by a papara o shows an alert and harassed-looking Marilyn. Style 1;Style 2;On March 5, 1962, Marilyn received the Golden Glo e Award as “the world film favorite of 196 1.” At the presentation her companion was José Balanos, a Mexican scriptwriter. Portrait study y Willy Rizzo for Paris Match, spring 1962. Pu licity still for Something ’s Got to Give. Filming was suspended on June 8, 1962, ecause Marilyn was perennially late and finally did not show up at all on the set. On May 19, 1962, Marilyn had left the filming of Something ’s Got to Give without permission to appear at the irthday gala for John F. Kennedy in New York’s Madison Square