英语专业从三美视角探讨唐诗的翻译--以孟浩然的《春晓》为例.docVIP

本科毕业论文（设计） 论文题目Translation of Tang Poetry Viewed from the Principle of Three Beauties ----A Case Study of chunxiao 学 院 外国语学院 专 业 英语（国际商务） 班 级 2008 级 8 班 姓 名 学 号 指导教师 完成日期 2012年5月19日 教务处 CONTENTS Abstract in Chinese Abstract in English 1 1. Introduction 2 1.1 Research Background 2 1.2 Research Objectives and Significance of the Study 2 1.3 Structure of the Paper 3 2. Literature Review 4 2.1 Previous Studies Abroad 4 2.2 Previous Studies in China 4 3. Theoretical Framework 6 3.1 Three Beauties 6 3.2 The Relationship between Tang Poetry Translation and Three Beauties 6 4 Three Beauties Analysis by Comparing the Four Translation Versions of chunxiao 7 4.1 The Background Information of chunxiao 7 4.1.1 The Chinese Version of chunxiao 7 4.1.2 The Three Beauties Analysis of the Chines chunxiao 8 4.1.2.1 The Beauty in Meaning of Chines chunxiao 8 4.1.2.2 The Beauty in Sound and Form of Chines chunxiao 8 4.2 The Four Translation Versions of chunxiao 9 4.3 The Beauty in Meaning of the Four Translation Versions of chunxiao 9 4.4 The Beauty in Sound of the Four Translation Versions of chunxiao 10 4.5 The Beauty in Form of the Four Translation Versions of chunxiao 11 4.6 Summary of the Analysis and the Author’s Translation Version of chunxiao 12 5. Conclusion 12 Reference 13 从三美视角探讨唐诗的翻译 --以孟浩然的《春晓》为例 摘要 唐代诗歌不仅是中国古典文学的巅峰，而且是世界文学的灿烂瑰宝。为了更好地把唐诗推向世界，国内广大翻译学者应该重视唐诗的翻译问题。诗歌具有意美、音美和形美等重要特征。译者只有再现原诗的这“三美”，才能让目的语读者获得美感与产生共鸣。本文以许渊冲提出的三美为理论基础，通过比较唐代诗人孟浩然的《春晓》的四种译法，分别从这四种译法体现的意美，音美和形美进行深入的比较、研究和分析,目的在于探讨美学原则指导下的唐诗翻译规律，从而更好地运用“三美”指导唐代诗歌的翻译。同时作者在结合三美原则的基础上，对许渊冲译本的个别字词进行了修改，形成新的译文。 关键词 唐代诗歌；翻译；许渊冲；意美；音美；形美 Translation of Tang Poetry Viewed from the Principle of Thre