云南财经大学 3-A-1 京剧--精选篇1272.pptVIP

The branches 一百多年来，京剧各个行当都出现了不少流派，如老生行中有谭(鑫培)派，汪(桂芬)派，余(叔岩)派，高(庆奎)派，马(连良)派，言(菊朋)派，麒(麟童)派，杨(宝森)派等等。旦角中有梅(兰芳)派，程(砚秋)派，尚(小云)派，荀(慧生)派等等。净行中有金(少山)派，裘(盛戎)派等等。丑行中尽管流派的形成受条件限制而不太明显，但是文丑中的萧(长华)派，武丑中的叶(盛章)派亦是观众所公认的 Over one hundred years, Peking Opera developed into many genres, such as the old line with Tan Xinpei school, Wang (Guigen), Yu (Shuyan), Gao (Qingkui), Ma (Lianliang), Yan (Jupeng), Qi (Lintong), Yang (Baosen), and so on. The female roles include Mei (Lanfang), Cheng (Yanqiu), Shang (Xiaoyun), Xun (Huisheng) and so on. The jing includes Jin (Xiaoyan), Qiu (Chengrong) and so on. The chou includes, though less obvious due to the formation of genre in the limited conditions, Xiao(Changhua). The military comedian includes Ye (Chengzhang), who is also recognized by the audience. * * The Mei Branches Mei Lanfang The first The sinsing Combination innovation The Cheng Branches Shuying Naohouying Gloomy(沉郁） grave（凝重） * * The Shang Branches Loud and clear Well-proportioned(错落有致） Shang Xiaoyun The Xun Branches The force Unconventional(标新立异） Rich in emotion * * * * * * Male Roles * * Refers to the male leading role except jing and chou, it is equal to zheng and mo in the Yuan drama. In the Qing dynasty, it developed into laosheng, xiaosheng, wai and mo. According to the attributes, characters and performance, it can be generally divided into laosheng, xiaosheng, wai, wusheng, wawasheng, etc. 泛指净、丑之外的男角色。指剧中男主角，与元杂剧的正末相当。清以后又衍化为老生、小生、外、末4个支系。按其扮演人物属性、性格特征和表演特点，大致可分为老生、小生、外、武生、娃娃生等类。 * * Old living primarily as a middle-aged or more resolute integrity positive character, because of many wearing RanKou, therefore he is also called an elderly male character, commonly known as Hu Zisheng. 老生 老生主要扮演中年以上性格正直刚毅的正面人物，因多戴髯口，故又称须生，俗称胡子生。 * * * * Xiaosheng reader who plays young man, is not wearing a beard, look generally more delicate and pretty and handsome. His voice is very clear, but not gentle and lovely, very energetic, but not rude. This kind of singing and reading method, is n