Geographical reality of the situation and contemporary art sense - written in the context of globalization and multi-cultural pattern of competition文档.docVIP

Geographical reality of the situation and contemporary art sense - written in the context of globalization and multi-cultural pattern of competition Paper Keywords: regional art competition in multi-cultural reality of the situation of contemporary significance Abstract: As the art form of the unit structure, regional art in the past and the future will not lose its unique position, while the region’s unique art, it is worthy of the current culture to maintain the development trend, although the fate of human development and survival state, more and more artists of interest, the common theme is indeed to eliminate the performance difference between the regional as individuals, including artists, including human, can not be completely divorced from the context of their own lives, even if the art is faced with the same proposition, Artists should also be read from a different perspective, so regional and cultural diversity of artists is always a foothold. Leonardo da Vinci, Michelangelo, and Raphael has become synonymous with Renaissance paintings, but if there is no school of painting Siena, Florence, Painting, Painting Umbria, are sub-par school of painting, Venice Painting, Netherlandish Painting ... ... Renaissance art history, just the “heroes” of the art of life, rather than a magnificent cultural tide of the times. a medieval painter before his fame, has been targeted to a relatively fixed a region of the aesthetic to the creative - and the creation of such a heritage from the workshops in a number of years has been a while such as Tintoretto “outsiders”, should not his extraordinary drawing skills, and some little trick against the spirit of the contract, based in Venice, easier said than done. And Tintoretto activity times, happens to be the art of painting in Venice lean period. regional art to some extent, in the broad sense of “style”, “genre “Prior to the formation, constitute the main body of the early history of Western art, even if the spirit