20世纪90年代以来中国蒙古族题材电影的审美分析 word格式.docxVIP

优秀毕业论文 精品参考文献资料 目录 HYPERLINK \l _bookmark0 二、抵御外敌的患难与共 30 HYPERLINK \l _bookmark1 三、民族团结的影像表达 31 HYPERLINK \l _bookmark2 结 束 语 33 HYPERLINK \l _bookmark3 致 谢 34 HYPERLINK \l _bookmark4 参考文献 35 HYPERLINK \l _bookmark5 作者在学期间取得的学术成果 37 HYPERLINK \l _bookmark6 附录 A 38 摘 摘 要 第 第 i 页 摘 要 蒙古族题材电影是中国多元文化的一个重要组成部分。欲认识这个部分在多 元文化语境下的历史形成条件、艺术风格特质、社会价值功效，首先当从其自身 的审美特征出发，因为说到底，电影终究是一门以追求美为旨归的艺术种类。 研析蒙古族题材电影的审美特征，首当其冲的是蒙古族题材电影的审美内蕴。 从思想的角度来看蒙古题材电影的审美内蕴，蒙古族人史诗般的悲剧之美和崇高 之美是其源远流长的文化象征。其中“悲”成为主体风格，表现出差异性的悲剧 力量，展示出激动型的崇高美和平缓型的崇高美。 其次，蒙古族题材电影之所以不同于其它民族文化题材电影，还在于它独特 的审美风格。即具有史诗性和原生态性。前者主要表现为题材、内容和主题的史 诗性，后者大致表现为对现实生活的本真写照，民俗风情的自然传达以及非职业 演员的朴素表演三个方面。 最后，从“身份”角度观照蒙古族题材电影的审美意义，说明了艺术具备一 定的社会功能。于蒙古族题材电影而言，这个社会功能集中在性别身份的显现、 族群身份意识的认同和中华民族大一统身份的构建。 主题词：蒙古族题材电影，审美内蕴，审美风格，审美意义 第 第 ii 页 ABSTRACT ABSTRACT The movies about Mongolians are an important component of the multicultural undertakings for China. For better understanding its historical origin, artistic style and social value, we have to procee from its own unique aesthetic characteristics. After all, movie is an art of pursuing beauty. The first step of study of its aesthetic characteristics is to study the aesthetic connotation. The Mongolian cultural is noted for the beauty of epic and tragedy. The tragedy become a main style, expressing the tragic power of diversity, revealing the majestic beauty of both exciting and graceful. Secondly, the movies about the Mongolians are different from the others for their unique aesthetic style, i.e. the epic and original style. The epic style is mainly reflected in the themes, contents and topics.The originality is profoundly manifested in the following: the realistic illustration of the real life; the natural representation of customs and habits; the convincing performance of the amateur actors. Lastly, the aesthetic significance is investigated from the view of the identity, showing that the art has its social functions. As for the movies about Mongolians, the social functions includ