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《子夜》是一部仿造的作品(Midnight is a work of imitation).doc
《子夜》是一部仿造的作品(Midnight is a work of imitation)
Midnight is a work of imitation
Common people
Midnight is the most important work of Mr. Mao Dun. His status in the Chinese literary world is mainly supported by this novel. But for a long time, for people to describe the stock exchange as the main content of the Midnight always feel the diaphragm, as if there is a fog shrouded in it, so that people have a not clear feeling. In 1977, when the peoples Literature Publishing House decided to reprint Midnight, he explicitly asked the author to write a postscript to explain the writing intention of the book. That is to say, since midnight, people have never understood the meaning of the book and why the author wrote it. This is a strange and rare phenomenon. Generally speaking, it is easy to see the meaning of a work and the authors writing intention. Is regarded as obscure of Lu Xuns works, the significance and intention of writing is also very clear, at a glance. If a work is published, none of the people, including the editor of the press, can see its meaning. It must be a problem.
So what exactly is the question of midnight?
By chance, when I read the novel money by French writer Zola, I found that the book was similar in content and form to midnight. Money is also on the stock exchange as the background, with two capitalists speculate in the stock exchange as the main plot line with each other. In setting up the people, money which is Sagar and gander Manchester, with a double agent, please both sides the prostitute Baroness Sandor J; Midnight it is Wu Sunfu and Zhao Botao, also with a double agent, please both sides of prostitute Liu Yuying. Even the ending of the story is the same: money in the end, Sagars speculative business failed, thousands of million yuan of assets lost, alone and fled abroad; Midnight at the end, Wu Sunfu Zhao Botao was also down, go bankrupt, with his wife to go to the summer kuling.
Whats the matter? Coincidence or imitation? Thats interesting.
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