反击与赋权——美国黑人女性说唱歌手和厌女症-counterattack and empowerment - african american female rappers and misogynists.docx
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反击与赋权——美国黑人女性说唱歌手和厌女症-counterattack and empowerment - african american female rappers and misogynists
AcknowledgementsMythesiscouldneverhavebeenwhatitisnowwithouttheguidanceandsupportfromthosebelow,butnotlimitedtothem.Attheverybeginning,Iwanttoexpressmysinceregratitudetomysupervisor ProfessorXuLibing.Withoutherguidance,Icouldnotwalksofar.Herguidanceaccompaniesmethroughallmygraduatelearning.Shealwaysrecommendsmevaluablebooklists,inspiresmeonmythesis’stopic,andgivesmeinsightfulthoughts andacademicdiscussions. Andevenwhenshewentabroad,shestillkepttouchwith meviaemails,exchangingherviewsonmythesis.Sheisalwayspreparedtohelpme.Secondly,Iwantto thankotherdearprofessorsinSISU.ProfessorWangEnming. Withhisunmatchablevocabulary,highpassionand extensivelearning,heshowsme abigpictureofAmericanculturestudies,directingapathformetowalkalong. ProfessorLinLing,whoisfamiliarwithAmericanpolitics,givesmeawholenew brandviewonAmericanpolitics.ProfessorGaoJian,whodelvesintointellectualhistorystudy,isindeed an amazingteacher.Andother professors,likeChen Hansheng, Mark,XinHuaandChenQi,alsohelpmealotthroughmygraduatelearning,Iwanttoexpressmysincere gratitudetowardsthem.Thirdly,IamdeeplyindebtedtomydearroommateandfriendMaoHongdan. When Ihaveproblemsonmythesiswriting,shealwaysgivesmeinformative, inspiring andmeaningfulideasandsuggestion.What’smore,shealwayskeepsaneyeonmywritingprogress, urgingmetofinishmythesisassoonaspossible.Finally,Iownmydeepestgratitudeandlovetomybelovedparents.Theybring meupalongwithalotofpainsandsuffering.Theyalwaysstandbymyside,no matterwhatsetbacksIencounter.Theyaremyrock,withoutthem,therewouldbeno me.They givemealotofstrengthwhenIaminadilemma.Lastbutnotleast,peoplewhohaveanyconnectionwithmeinanyway,pastor noworinthefuture,Ipresent mysincerethankstothem.Youmakeme.摘要嘻哈乐发源于20世纪70年代美国纽约南布朗克斯,如今已经发展成为全球流行音乐不可分割的一部分。嘻哈乐一直被人视为一个男权至上的领域,嘻哈乐中充斥着一些厌恶女性的歌词(misogynisticlyrics),这些歌词尤其是对黑人女性存在相当程度的憎恨、暴力倾向,成为一个反女性存在的空间。黑人女性说唱歌手(femalerapper)的存在被世人所忽略,她们的成就被低估,尤其是一些具有黑人女权主义思想的黑人女性说唱歌手。本文首先对黑人女性说唱歌手在嘻哈乐中的发展历程做了一个简单的概述,黑人女性说唱歌手对于提高黑人女性女权主义意识(consciousness-raising)有一定的贡献,由此出现了嘻哈女权主义(hip-
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