他者眼光与影像中国——安东尼奥尼纪录片《中国》分析-other peoples vision and image of china - analysis of antonioni documentary.docxVIP
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他者眼光与影像中国——安东尼奥尼纪录片《中国》分析-other peoples vision and image of china - analysis of antonioni documentary
AbstractMichelangelo Antonioni is a famous Italian director.With the unique people-oriented perspective of modernism philosophy ,documentary doctrine ofrational thinking and profound aesthetic vision.He explores the truth between people and outside world by focusing on individual survival.I choose the documentary Chung Guo Cina which was making in 1972 to interpretate Antonioni as the other how to shaped the cultural revolution-China with unique narrative language of films,and then to explore the root of conflict between Antonionis China and Chinese s self-image.In limited circumstances,Antonioni still insist on his people-orientedof documentary doctrine style to interpret the individual life and the object with his specular architectural space philosophy.He shows a false is also trueChina under a certain historical period. Firstly,Chung Guo Cina contains a sight from a foreigner,before Antonioni didnt come to China,he has formed its own unique people-oriented style and existing thought and cognition to the east.He used the cameramans power to interprete the image of China by controlling people, architecture image and color;Secondly,Antonioni as an effective thinking narration with lens language master,whether the discourse under a sound and picture game to compete, diversity of viewpoints will pick the look and look of the metaphor,Or narrative paradox in several seemingly irreconcilable unavoidable contradiction again, they imply Antonioni portrayed his view of the real China in rationality and irrational paranoid.Thirdly,Antonioni s image of China and the Chinese self imagination self-portrait in different ways The contextual differences between Chinese and western culture, his individual experience and the Chinese self expectation and cognitive aspects factors contributed to the formation of two chinas. Directors invited to criticism, the guests become the enemy, China left the history of the suspense is worth us in cross-cultural research, image study, thoughtf
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