第五元素与后天场景制作总监Eric Hanson讲述—— 建立数字的都市.docVIP

《第五元素》和《后天》场景制作总监Eric?Hanson讲述?——?建立数字的都市（上） Eric?Hanson?creating?digital?citys Eric?Hanson?——?建立数字的都市 （信息来源于，由jinjingccg翻译整理，转载请告知，谢谢！） Eric?Hansons?impressive?list?of?credits?include?The?Day?After?Tomorrow?(above).? Eric?Hanson?收录在感人至深作品列表中的《后天》（见上图） Eric?Hanson Eric?Hanson?is?a?visual?effects?designer?who?specializes?in?digital?sets?and?backgrounds?for?feature?film?projects.?He?began?some?years?ago?as?a?bit?of?a?pioneer?in?the?architectural?field,?doing?3D?rendering?on?early?Intergraph?UNIX?stations.?When?CG?looked?poised?to?explode?in?the?early?1990s,?Hanson?moved?over?into?the?visual?effects?field?just?after?‘Jurassic?Park’?was?released.?He?knew?he?had?something?to?offer?the?studios,?coming?from?an?architectural?design?background,?as?cityscapes?often?were?portrayed?naively?in?film?back?then.?There?was?a?lot?to?learn?about?the?vocabulary?and?production?methodology?of?film?effects?though.?“Architects?are?well-suited?for?modeling?and?lighting”,?Hanson?quips,?“but?they?make?lousy?animators!”?He?is?currently?overseeing?production?of?visual?effects?educational?DVD?titles?at?The?Gnomon?Workshop,?as?well?as?teaching?there?and?at?the?USC?film?school.? Eric?Hanson是一个专攻数字设定和电影整体面貌景观设计的视觉特效设计师。他开始与许多年前，还是作为建筑领域的先驱时就在早期的Unix系统数字图像方面进行3D渲染的研究。在90年代早期当CG业开始蓬勃发展，Hanson在《侏罗纪公园》发布后开始进入视觉特效的领域。他了解到他自己对于工作室的价值，出于他之前在建筑设计领域的背景，在那时他常常电影描绘城市风景的背景。在那里可以学习到关于电影特效的许多专业词汇和（整套）生产方法。“建筑师非常适合做模型和灯光”，Hanson自嘲地说，“但是他们总让动画师感觉恶心！”他看过了大多数Gnomon工作室出品的一些视觉特效教学DVD的题头，也在USC的电影学校任教。 Digital?Domain 一家在国际上与乔治卢卡斯的数字光魔相抗衡的数字电影制作公司，作品包括《第五元素》，《我，机器人》，《后天》等…… Hanson?began?his?film?career?with?Digital?Domain?working?on?‘Fifth?Element’.?He?returned?later?to?work?on?‘The?Day?After?Tomorrow’?and,?most?recently,?‘Stealth’,?Rob?Cohen’s?summer?‘05?action?flick.?Each?film?has?a?large?digital?set?component?to?them.?“Digital?Domain?is?a?legend?among?visual?effects?facilities,?and?for?good?reason”,?explains?Hanson.?“Its?infamous?reputation?hinges?on?its?aggressive?desire?to?do?the?best?effects?work?possible,?which?ha