Ingmar BergmanFrom Rebel to Icon―AReception Study.docVIP

Ingmar BergmanFrom Rebel to Icon―AReception Study.doc

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Ingmar BergmanFrom Rebel to Icon―AReception Study

Ingmar BergmanFrom Rebel to Icon―A Reception Study   Abstract:The article examines the way Swedish and non-Swedish audiences have responded to the films of Ingmar Bergman. Though he had achieved an iconic status both abroad and in his own country at the time of his death in late July 2007, the Swedish acceptance of his work in the cinema was always a bit controversial, especially before his international breakthrough in the late ??1950s.?? The article examines seven stages in the Swedish response to Ingmar Bergman: (1) the young rebel; (2) the writer manqué; (3) the mythic Swede; (4) the cultural straggler; (5) the corroded artist; (6) the popular TV creator; and (7) the homecoming of a prodigal son. 中国论文网 /4/viewhtm  Key words:Bergman dehistorize polysemic Swedish cinema magic lantern images popular TV   Author: Birgitta Steene, a native of Sweden and professor emerita of comparative literature and cinema studies at the University of Washington, has written several books on Ingmar Bergman(the first in 1968, the latest in 2006). Titled “Ingmar Bergman: A Reference Guide” and published by Amsterdam University Press, this extensive volume includes a comprehensive discussion of all of Ingmar Bergman’s artistic production, as well as a reception study and an annotated biographical survey of works by and on Ingmar Bergman. Email: birgitta.steene@swipnet.se      标题:英格玛?伯格曼:从叛逆到偶像――一个观众接受研究   内容提要:本文探讨了瑞典国内外观众对英格玛?伯格曼作品的反应。到2007 年7月底他去世之时,尽管伯格曼在世界范围内都取得了偶像级大师的地位,但是瑞典电影观众对他一直存在一些争议。文章从瑞典观众对伯格曼电影反应的七个方面论述:(1)年轻时叛逆;(2) 蹩脚的作家;(3)虚化的瑞典人;(4)文化流浪者;(5)江郎才尽的艺术家;(6)流行电视节目制片人;(7) 流浪之子的回国。   关键词:伯格曼 去历史化 多义性 瑞典电影 《魔灯》 形象 流行电视节目   作者简介:伯吉塔? 斯蒂恩,瑞典人,华盛顿大学比较文学与电影研究名誉退休教授。出版多部英格玛?伯格曼的研究专著。       The Swedish filmmaker, theatre director and writer Ingmar Bergman has always faced an ambivalent reception among his own countrymen who, though recognizing his indisputable visual talent, have often felt uncomfortable with his personal vision, dismissing it at times as iconoclastic, emo

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