娱乐美联英语专访老佛爷拉格菲尔德KarlLagerfeldKingofcouture.docVIP

小编给你一个美联英语官方免费试听课申请链接： /test/waijiao.aspx?tid=16-73675-0 美联英语提供：娱乐英语 专访老佛爷拉格菲尔德 Karl Lagerfeld King of couture Karl Lagerfeld doesn’t like to talk about the past. He refuses to discuss his 50-year career with Fendi, for whom he was made creative director, in charge of fur and women抯 ready-to-wear, in 1965. Neither will he dwell on his 32-year stewardship ofChanel, where he has been the chief designer since 1983. He hasn抰 even been to visit his vast 揻uturespective?in Bonn, Germany, the most complete exhibition of his oeuvre ever mounted, featuring everything from a reproduction of the coat for which he was awarded the Woolmark prize for design in 1954, to his first collections for Chloé (for whom he worked between 1964 and 1996), and from a regiment of mannequins dressed in Chanel tweeds, through Fendi furs to pieces from his own eponymous line. 卡尔拉格菲尔德(Karl Lagerfeld)不喜欢谈论过去。他不愿谈及自己为芬迪(Fendi)效力的50年。1965年，他出任芬迪创意总监，负责皮草及女性成衣设计；他也不愿详述自己自1983年以来担任香奈儿(Chanel)首席设计师32年的陈年往事。他甚至没有出席在德国波恩举办的自己全部时装作品回顾展“futurespective”：从他1954年获得Woolmark设计奖的那件外套的复制版到他为蔻依(Chloé)设计的首个时装系列（他从1964年至1996年为其效力）；从一大群身穿香奈儿花呢套装的人体模特、各式芬迪皮草时装到他自己的同名品牌，可谓一应俱全。 Absolutely not! For Lagerfeld, nostalgia is a creative poison. “I’m very much against it,” he says from his studio in Paris. “I’m always into the next step. I’m interested in what’s going on, not what has happened. I never look at the archives. I hate archives!” 老佛爷完全不恋旧，他认为怀旧是创意的毒药。“我特反感怀旧，”他坐在自己巴黎的工作室对我这样说道。“我总是超前一步。我对时下发生的、而不是往昔历史感兴趣。我从不看档案，我讨厌档案！” If Lagerfeld sounds impatient, he is. His career has been built on a light-speed forward momentum. It’s the same urgent energy that has enabled him to juggle the demands of three entirely separate and visually distinct houses at the same time (Fendi, Chanel and Karl Lagerfeld) and maintain alternative occupations as a photographer, occasional writer and keeper of Choupette, a snow white cat he was given in 2011 and who now commands an Instagram following of 64,000 followers. Even his unique Germ