毕业论文基于动画12原则的动画24条准则.docVIP

PAGE PAGE 42 The 12 (er...24) fundamental principles of animation 基于动画12原则的动画24条准则 Jeremy Cantor – Animation Supervisor – Sony Pictures Imageworks - May 4th, 2002 /text/twelve_principles_plus.htm 1. Squash Stretch: Organic objects tend to have some degree of malleability. When forces act upon them they will deform appropriately depending on the nature, direction degree of the forces. When applying squash stretch in your animations, it is important to remember that, if volume is not maintained, your object will appear to be expanding or contracting. If you squash a tennis ball vertically, it should simultaneously widen horizontally. Squash Stretch can also be applied to rigid, articulated structures. When the structure compresses, certain joints will rotate off to the side. When you drop from a standing position into a squat, your hips move down while your knees move sideways. Your legs can be said to be squashing and stretching, even though the individual joints are not compressing or expanding. 1.挤压与拉伸：任何有机物体都是有可塑性的。当力作用于物体时，他们将依据力的性质，方向和力度产生一定的变形。当在动画中使用挤压和拉伸时，重要的是要记住，如果你不保持物体的体积不变，你将看到膨胀或者收缩的物体。所以如果你的网球变长了，相应他会变细一些。挤压和拉伸同样也适用于有一定结构的硬性物体。当物体关节受到挤压时，某些关节将侧到旁边。当你从站立姿势下蹲时，你的臀部向下移动，而你的膝盖向一侧运动。你的腿可以说是挤压和拉伸了，但是你的关节并没有压缩或扩大。 2. Anticipation: The setup before the main action. It lets the audience know that something is about to happen. For instance: reaching behind you with your fist before delivering a punch. A boxer tries to avoid anticipation when throwing a jab. 2.预备动作：主要动作的预备姿势。它让观众知道什么即将发生。例如：挥拳之前你会先把拳头放到肩后。而一个拳击手则会试图避免预备动作以防对手看出破绽。 3. Staging Composition: The clear presentation of an idea. What is the story being told? What is the best way to tell this story? What are the appropriate camera angles screen direction? Is the flow of the scene guiding the viewer’s eyes as intended? Are your poses strong? If you arbitrarily “freeze-frame”, will the resulting still-image be a well-composed work of art? Do the elements of your scene work together visually? Are