叛逆的师承——论吴冠中的绘画艺术（毕业学术论文设计）.docVIP

叛逆的师承――论吴冠中的艺术创作 PAGE PAGE 49 中文摘要 本文以吴冠中的艺术创作经历为研究对象，并把这一对象放在对中国现当代艺术发展史的探究过程之中，试图阐释吴冠中一生致力于油画本土化与中国水墨画创新这两个问题。西方油画已经在中国这片土地上发展进化了一个多世纪，吴冠中以自己全新的艺术感受能力和独特的艺术风格，在油画本土化方面做出了应有的贡献。在西方各种艺术思潮的冲击下，中国画这门独特的代表中国艺术精华的艺术门类也面临着继承传统和借鉴西方的双重压力，吴冠中的创作实践也为国画水墨的创新提供了一个参考依据。 吴冠中作为中国当代美术界泰斗，他的艺术奋斗的轨迹，代表了中国现当现代大部分画家对艺术不懈追求的过程。扎根中国文明，放眼西方世界，力争中西合璧，不断自我创新。吴冠中的油画创作，虽师从西方古典艺术大师，但不拘泥于其条条框框；吴冠中的国画创作，曾师从潘天寿、林凤眠，但是却有自己全新的认识与见解。吴冠中的艺术生命的特点是“叛逆”，其最宝贵的艺术价值也是“叛逆”。其“叛逆”的根源并非无本之木，而是在师承传统基础之上的具有深髓精神内涵的独特创新。 研究吴冠中的艺术世界，探寻吴冠中的创作历程，能够使我们对今天的各种艺术现象及其艺术创作的规律有一个清醒的认识。中国的艺术必须根植于中国社会生活，一份耕耘，一份收获。艺术家必须用自己的勤奋和艺术灵感，来创作属于自己的艺术作品，任何拾人牙慧或仰人鼻息而创造出来的艺术作品，都将意味着艺术家艺术生命的终结。 关键词：吴冠中　形式美 抽象美 美术界的论争　油画本土化　 中国画水墨创新　吴冠中现象 Abstract The research object of this essay is the art producing experiences of Mr. Wu Guanzhong. The writer of this essay puts this certain object in the studying process of the history of modern Chinese art. Meanwhile, the writer tries to explain two problems: the experiment of Chinese-style oil painting and the innovation of traditional Chinese ink and wash drawing which Mr Wu Guanzhong has been applying himself to in his lifetime of art. In the basic that the western oil painting has been developed for centuries in China, Mr Wu Guanzhong has been contributing a lot in the experiment of Chinese-style oil painting with his fire-new art taste and special art style. Facing to the impacts of various western art thoughts, the Chinese ink and wash drawing, which specially stands for the distillate of Chinese art, also bears two pressures that not only inherits traditions of Chinese culture, but also studies the West. Looking from the meanings above, the producing experiences of Mr Wu Guanzhong also provides a reference to the innovation of Chinese ink and wash drawing Being the leader of modern Chinese art, the struggle track of Mr Wu Guanzhong has been a representative of the untiringly pursuits of most modern Chinese artists. They rooted in Chinese civilization and looked forward to the west. Th