宋词中的杭州城市文化研究-毕业论文（设计）.docVIP

PAGE 0 摘 要 随着两宋城市经济与市民文化消费的进一步繁荣，词在审美趣味与表现主题上呈现出更加浓厚的市民文化特质。在一定程度上可以说，立足于城市文化的生产运动，宋词生动再现了当时临安（杭州）节日时俗、民间娱乐和城市文化景观，也生动展现了杭州都城的城市文化状况。在节日时俗的文化消费方面，在繁荣的商品经济为物质基础上，描写元宵盛况和中秋夜兴的典型词作充分展现了宋代杭州节日习俗文化消费的大众化趋势以及商业性特点。在杭州城市文化之民间娱乐方面，描写杭州茶坊、瓦子等市民文化娱乐的词，典型地表现了词在创作内容及审美趣味上受杭州市民文化消费趣味和审美方式的影响。而以俗俚化、色情性为主导的文化消费“词曲小唱”，充分体现了杭州城市文化的消费与生产的文化自觉性，表现出与当时社会政治、伦理之间的距离较远，注重个体审美自由、甚至感官上沉沦的特点。在城市文化景观方面，词成为杭州城市景观的重要载体的同时，也为人们了解与认知杭州城市提供了不同的文化想象。尤其以柳永为代表的词作，使人们对杭州城市的认知和想象更加具有“城市”韵味。壮美的不仅仅是钱江潮、三秋桂子的怡人景色，更是宋代那具有城市文化气息的市民文化生活，它们带有主观能动性的色彩。 关键词：宋词；杭州；城市文化 Abstract With the further blossom of urban economy and cultural consumption, Song Ci shows deeper civic cultural identity on the aesthetic interest and the theme in Song dynasty. To some extent, according to the city’s cultural production movement, Song Ci not only vividly represents the popular festivals, folk entertainment, and urban cultural landscape of Linan (Hangzhou) at that time, but also demonstrates the cultural conditions of Hangzhou. In the aspect of the cultural consumption of festival custom, the typical works of Lantern Festival and ZhongQiu Festival fully demonstrate the popularization trend in Hangzhou’s cultural consumption of festival custom in Song dynasty as well as the commercial characteristics of cultural consumption based on the booming economy. In the aspect of the folk entertainment of Hangzhou’s city culture, Song Ci describes the tile members of the public culture and entertainment, such as tea house and vacherie, typically expresses that Ci is influenced by the public interest and the way of aesthetic in the creation and aesthetic taste. However, the lyrics which is led to the porn sex and slang, fully reflects the consumption of Hangzhou’s urban culture and the consciousness of cultural production and shows the characteristics of focusing on individual aesthetic freedom, and even sensory sinking rather than paying attention to the political and ethical. In the aspect of city’s cultural sights, the Song