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分析杜鸣心《一个黑人姑娘在歌唱》的音乐特点和演唱体验-音乐专业论文.docx

分析杜鸣心《一个黑人姑娘在歌唱》的音乐特点和演唱体验-音乐专业论文.docx

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分析杜鸣心《一个黑人姑娘在歌唱》的音乐特点和演唱体验-音乐专业论文

Abstr Abstract Shanghai Normal University Master of Philosophy 万方数据 万方数据 Abstract Summary from the development of Chinese art songs, innovation and development of Chinese art songs is always moving forward. While innovation should also adhere to the complete inheritance. Learn to sing, the author gradually when a black girl singing the songs have a strong interest. To be recorded by the author. According to author contact sequence of learning at work, singing before the songwriter style of AI Qings poetic simplicity understanding and AI Qings life and character; composer du mingxin create musical image has stark concise, melodic melody, harmony, orchestration, and strive to embody the characteristic of Chinese folk music styles, as well as the unique spirit of Chinese culture, inclusive of creative techniques, lessons of 20th century modern music creation experience in Western countries. His use of modern techniques, subject to the content of the work, with the combination of Chinese traditional music styles, understanding for music lovers. Melodic and tonal thinking, always occupies a prominent place in his creation. I know about the background of this work, deeply understand the feelings inside of works, in terms of musical analysis and summary analysis of form, harmony, accompaniment, plagal, tonal color changes. About the thinking and feeling in singing experience, in poetic sentence describes personal experience: poems the simple, intense, straightforward, subtle. Singing introverted calm, rational control. A warm and deep expression of heart. Keywords:Harmonic tonality simple rational control II 上海师范 上海师范大学硕士学位论文 目录 目录 摘要 ..................................................................................................................................................I Abstract.........................................................................................................................II 目录............................................................

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