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file:///D|/Documents%20and%20Settings/harry/Desktop/New%20Folde...nda%20McIntyre%20-%20Of%20Mist,%20And%20Grass,%20And%20Sand.txt
VERSION 1.0 dtd 032800
VONDA N. MCINTYRE
Of Mist, and Grass,
and Sand
Wherever nature is revered as self-moving, and is inherently divine, the serpent is revered as
symbolic of its divine life . . . where the serpent is cursed, all nature is devaluated and its
power of life regarded as nothing in itself . . . (Creative Mythology by Joseph Campbell). In two
stories in this volume the serpent appears, and is not cursed. This one finished first, the other
second, in the voting for the Nebula awards. Within us, modern, civilized humankind, there is
something that recognizes and responds to the ancient symbols. Something that answers, yes, I am
still here.
The little boy was frightened. Gently, Snake touched his hot forehead. Behind her, three adults
stood close together, watching, suspicious, afraid to show their concern with more than narrow
lines around their eyes. They feared Snake as much as they feared their only childs death. In the
dimness of the tent, the flickering lamplights gave no reassurance.
The child watched with eyes so dark the pupils were not visible, so dull that Snake
herself feared for his life. She stroked his hair. It was long and very pale, a striking color
against his dark skin, dry and irregular for several inches near the scalp. Had Snake been with
these people months ago, she would have known the child was growing ill.
Bring my case, please, Snake said.
The childs parents started at her soft voice. Perhaps they had expected the screech of a
bright jay, or the hissing of a shining serpent. This was the first time Snake had spoken in their
presence. She had only watched, when the three of them had come to observe her from a distance and
whisper about her occupation and her youth; she had only listened, and then nodded, when finally
they came to ask her help. P
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