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The Never-Ending Western Movie
Robert Sheckley
The name is Washburn: just plain Washburn to my friends, Mister Washburn to
enemies and strangers. Saying that Ive said everything, because youve seen me a
thousand times, on the big screen in your neighborhood theater or on the little pay-tv
screen in your living room, riding through Cholla cactus and short grass, my famous
derby pulled down over my eyes, my famous Colt 44 with the 7 1/2-inch barrel strapped
down to my right leg. But just now Im riding in a big air-conditioned Cadillac, sitting
between my agent-manager Gordon Simms, and my wife, Consuela. Weve turned off
State Highway 101 and were bouncing along a rutted dirt road which will end presently
at the Wells Fargo Station that marks one of the entrances to The Set. Simms is talking
rapidly and rubbing the back of my neck like I was a fighter about to enter the ring,
which is more or less the situation. Consuela is quiet. Her English isnt too good yet.
Shes the prettiest little thing imaginable, my wife of less than two months, a former Miss
Chile, a former actress in various Gaucho dramas filmed in Buenos Aires and Montevideo.
This entire scene is supposed to be off-camera. Its the part they never show you: the
return of the famous gunfighter, all the way from Bel Air in the jolly jittery year of 2031
to the Old West of the mid-1900s.
Simms is jabbering away about some investment he wants me to come in on, some
new seabed mining operation, another of Simmss get-richer-quick schemes, because
Simms is already a wealthy man, as who wouldnt be with a thirty-percent bit on my
earnings throughout my ten biggest years as a star? Simms is my friend, too, but I cant
think about investments now because were coming to The Set.
Consuela, sitting on my right, shivers as the famous weatherbeaten
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