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RIPPLES IN THE DIRAC SEA
Geoffrey A. Landis
Geoff Landis has just completed a postdoctoral fellowship at NASAs Lewis Research Center in
Cleveland. He writes science fiction grounded in the hard sciences, but his first story, Elemental, a Hugo
nominee for best novella of 1984, dealt with magical matters in a scientific context and appeared in
Analog . Later work has been published in Isaac Asimovs Science Fiction Magazine, Pulphouse , and
Amazing Stories .
About his award-winning short story, Geoff writes, Ripples in the Dirac Sea was an experimental story
for me. Quite a number of disparate threads wove into the final narrative. One important thread was my
feeling that a story involving time travel should have a nonlinear narrative to reflect the discontinuous way
the characters experience time.
I also wanted to see if it was possible to write a story in which real physics is presented. Very little of
modern SF goes beyond the early quantum mechanics of Heisenberg and Schrodinger, work which is
admittedly remarkable and beautiful, but by no means the end of the story. Here I tried to invoke some of
the strangeness and beauty— I might even say sense of wonder—of the physics of Paul Adrien Maurice
Dirac. In Ripples I decided to explore the inconsistency between Diracs relativistic quantum mechanics
and the mathematics of infinity developed by Cantor and others (as far as I can tell, a quite real
inconsistency). The Dirac sea is also real, not an invention of mine— despite the very science-fictional
feel of an infinitely dense sea of negative energy that surrounds and permeates us.
Among the other threads, one might distinguish my attempts to deal with a protagonist who has both
great power and utter helplessness at the same time, my fathers death of complications from a cerebral
aneurysm in 1984, along with some of my thoughts about the philosophical implications of time travel, the
sixties, dinosaurs, and various other things.
My death looms
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