解读王广义中国式波普艺术-美术学专业论文.docxVIP

万方数据 万方数据 Abstract Pop art first appeared in the 1950s in the UK, but the peak of its developm ent in the mid- 1950s, but it is a strong business atmosphere in the United States , is one of the most inf luential a rtistic m ovements of the 20th centu ry . Father of Pop Art Br itish artist Hamilton , the first piece of a collage of photos from the Pop Art works - We live today why it is so dif ferent , so glam orous , the them e to th e popular culture , as readymades m eans of expression , and led the creation of a new artistic tr end , wh ich now use the finished ef fect on Ch ina s most important contem porary art of China s Pop Art form ed in the early 1990s , is on the rise in the 1950s W est Pop Art creative imitation. As one of the early e xperimenters Wang Guangyi Chinese pop art , which also becam e the first po litical pop sin ce the real world of m odern Chinese art movement Wang Guangyi s paintings experien ced different periods of transition after the early 1990s into the big criticism in the experimental stage . This approach has the empirical critique of power through out the entire creative Wang Guangyi in th e 1990s , especially in the Great Criticism , the ar tist directly to Chinese Cultur al Revolution in the political posters and W estern cons umer advertising , these two com pletely different nature the juxtaposition of im ages on the screen , by way of clever language processing , to achieve a certain sarcasm and digestion purposes. This paper analyzes the background of W ang Guangyi s pop art form language of symbols , as well as in-d epth analysis of the article as a starting point the work of Wang Guangyi s Political Pop in a globalized consumer society and the dom estic context of contemporary art seeking id entity strategic thinking , and finally from the art m arket artificially manipulate the symbols of these two aspects of the damage Wang Guangyi s political Pop for reflection. Keywords : Wang Guangyi ; political po