论中国水墨人物画造型的演变.pdfVIP

ABSTRACT Throughout thousands of years of Chinese painting, Chinese ink figure painting is a representative of one branch, has formed a unique aesthetic and ZaoXingGuan. Because the mod el is the foundation of ink figure painting and the essence, for the understanding and research of its artists have been constantly attempt and effort. Seen from the development of ink figure painting, as the change of The Times cultural diversity and inte gration changes its form as they should be glorious, the evolution of the modelling of ink figure painting is not only a historical progress, itself also has the independent research value and aesthetic meaning. Traditional Chinese ink figure painting is influenced by classical philosophy and aesthetics, the aesthetic ideal pursuit of the harmony between heart and things, the artist influenced by these ideas in creation is to seek a kind of objective image and subjective feelings of harmony, the theory o f artistic conception art thinking determines the shape of the traditional ink figure painting is imagery. At the beginning of the 20th century to the late 80 s, with the social change and the arrival of the new era, western realistic modelling for the aesthetic form of ink figure painting and the way of modelling the strong impact, from started to pay attention to the realistic model of learning from the west to the western painting art and the integration of traditional Chinese ink techniques such as phase of carding and analysis, try to analysis the formation and development of ink figure painting process in realism and representative painter did to realistic mod