加缪美学思想新探——论加缪美学思想的崇高本质-美学专业论文.docxVIP

加缪美学思想新探——论加缪美学思想的崇高本质-美学专业论文.docx

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万方数据 万方数据 行佐证。 第四章致力于对加缪崇高美学思想的反思与再评价。本章首先论证了加缪荒诞与反 抗两大主题的内在同一性,进而再次确证其美学思想的崇高本质。之后通过加缪与其它 存在主义哲学家观点的对比,完成了对其崇高美学思想的定位,又在此基础上讨论了加 缪崇高美学思想的价值与局限。 论文主要采用文本细读的方法来实现对“加缪美学思想的本质是崇高”这一主题的 论证,对加缪代表性作品的分析也沿用了以往的分类方式,论文的价值在于推出加缪美 学思想的核心概念“荒诞”需要进一步深入探讨,其真正的美学思想主题应为“荒诞的 反抗”,而这种反抗具有极强的古典主义色彩,其本质正是崇高式的精神反抗。 关键词:加缪 美学思想 崇高 新探 分类号:B83 II Abstract Camus is identified as the existentialist philosopher because of his focus on human survival circumstances. However, he takes a negative attitude towards this, which can also be clearly seen in his works. Thus how to define Camus has become an urgent problem. At the same time, his thoughts comes down to two main themes—absurdity and resistance, which makes the subsequent researchers basically follow this way of classification while discussing his thoughts but ignore the study of Camus thoughts from the prospective of intrinsic unity. Scholars have, of course, put forward that the absurdity of Camus thought has the aesthetic attributes, which is a breakthrough of the original research. However, the author thinks that the idea still has not touched the core of his thought. In my opinion, Camus philosophy is a kind of aesthetic thought that has sublime nature. The essence of Camus thought of aesthetics is not absurdity but sublime and the absurdity is the starting point to build their own sublime ideological system, and its aesthetic ideas is strongly independent. It has always been saturated with the infinite pursuit to life strength and the ultimate value, showing the sublime dimension of western culture, which also inevitably makes it reflect the strong classical traits of it. Camus always emphasizes the great spiritual power inspired by the main body in the absurd resistance. The core of his philosophy resistance, which can also be called as the balanced thought, is the inevitable requirement of the lofty mental strength. Using the method of intensive reading, this article aims to reframe Camus aesthetic thoughts from the perspective of

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