民国时期摄影的文化背景-艺术学;设计艺术学专业毕业论文.docxVIP

AbstractAbstract Abstract Abstract Photography in the history of the Republic of China experienced the first period of prosperity．The sign of flourishing in photography activity is not merely participation and evaluation of the master,but also literary and art circles at the time had their own judgments on some of the problems for the photography．Cai yuanpei， Liu Bannong，Zhang daqian，Hu shi，Xu beihong and other leading Scholar both have their own views and theoretical guidance．Many of them also express their feelings by created a lot of art photography．In the twenties and thirties art photography had a very prosperous situation,is the first orgasm in the history of photography．But then imperialist aggression broke this situation，the development of photographic art Was interrupted，our nation felt into a hopeless situation．Many photographers once indulged in art photography,or pictorial photography angrily tI肌to the state and nation．Photographers and photography community under the influence of a variety of literary theory has its own unique creative photography ideas Besides the activities of photography exhibition is also in full swing photo exhibition and photography community organizations have close ties Works in photography exhibition Was the rfiain way to spiead the concept of photography and express their feelings．。 Keywords：Photographic art Master of literature and art The cultural background The identity of photography Responsibility for photography 目录目录 目录 目录 论文摘要 I Abstract．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．． ．II 第一章引言 ．1 一论文选题的理由和意义 一1 二国内外关于该课题的研究现状及趋势 ．3 三研究目标、研究内容 3 第二章民国之前摄影在中国的发展 5 一简述摄影术发明之前中国的光学研究 ．．5 二清末外国摄影师的的摄影活动和国内照相馆的起步 一5 三洋务运动和摄影技术的传播 7 第三章民国时期摄影的文化土壤 9 一新文化运动对于社会思想解放的的影响 9 二左联对于文艺的社会作用的要求 ．．1 l 第四