崔莺莺和杜丽娘形象比较.docVIP

崔莺莺和杜丽娘形象比较(毕业论文之一) [原创 2006-05-20 19:18:08 ] 发表者: yeqing962587 ?? ??????? 内容摘要：? 《西厢记》与《牡丹亭》是中国戏曲艺苑里的两朵奇葩，它们曲折动人的故事情节牵动着历代读者的心；同时，不朽的爱情命题也铸就了它们人物形象的不朽，其中又分别以崔莺莺和杜丽娘最为突出。但到目前为止关于这两个人物形象比较研究还比较少，更多的还是停留在独立分析或者是一种涉及性的研究，从而也给读者留下了很大的缺憾。本文将分四个部分对崔、杜二人进行对比考察，笔者认为，主人公对性别主体独立性的认识与由此而产生的女性主义光辉始终贯穿着整个剧情的发展，但这种女性主义又因人物的不同而存在差异。由于《牡丹亭》所采用的方式和作者的创作意图较《西厢记》更显成熟与极端，文本的反封建礼教程度更为彻底和明确。由此，作为意义承载体的关键性人物（崔莺莺和杜丽娘）也对应地显现出符合文本内容和意义的女性主义光辉。 ???????? 关键词：? 崔莺莺?? 杜丽娘?? 女性主义? 封建礼教? ? Abstract: Western Chamber and Peony Pavilion are two rare and beautiful flowers in the Chinese drama skill Yuenli, their winding moving plot are affecting all previous dynasties readers hearts， At the same time, the immortal love proposition also cast on their character images immortality, respectively were most prominent by Cui Yingying and Du Liniang. But,so far the comparison research about these two peoples images is not enough, more pauses in the independent analysis or involving research, thus also has left behind the very big disappointment to the readers. This article will be divided into four parts to contrast and inspect, the author believed, the leading characters sex main body independent understanding and the feminine principle glory are always passing through the entire plot development, but this feminine principle is different, because the character is not the same. Because Peony Pavilion uses the way and the authors creation intention is more extreme then Western Chamber,the text antifeudal Confucianism degree is maturely thorougher and explicit. From this, The crucial character receives the carrier which as the significance (Cui Yingying and Du Liniang) also corresponds appears conforms to the text content and the significance feminine principle glory. Key Words: ?Cui Yingying? Du Liniang?? Feminism feudal ?Feudal ethics ? ? ? ? ??????? 引言 ??????? 假使只把《西厢记》与《牡丹亭》当作单纯的爱情故事来解读，那么崔莺莺与杜丽娘这两个人物形象也就丧失了她们最具魅力的一面——女性主义。不可否认，在这两部诞生的时间不同却又存在着渊源联系的作品中作者要向我们传达的是一种“情”与“礼”的生死抗争，在这两个人物形象的身上我们也是可以找出他们独有的