上海外国语大学美国文学课件：chapter 3.ppt

* * Chapter Three: The Rise of a National Literature Historical Background The Romantic Movement, which originated in Germany but quickly spread to England, France, and beyond, reached America around the year 1820, some 20 years after William Wordsworth and Samuel Taylor Coleridge had revolutionized English poetry by publishing Lyrical Ballads. In America as in Europe, fresh new vision electrified artistic and intellectual circles. Yet there was an important difference: Romanticism in America coincided with the period of national expansion and the discovery of a distinctive American voice. The solidification of a national identity and the surging idealism and passion of Romanticism nurtured the masterpieces of the American Renaissance. Romantic ideas centered around art as inspiration, the spiritual and aesthetic dimension of nature, and metaphors of organic growth. Art, rather than science, Romantics argued, could best express universal truth. The Romantics underscored the importance of expressive art for the individual and society. In his essay The Poet (1844), Ralph Waldo Emerson, perhaps the most influential writer of the Romantic era, asserts: For all men live by truth, and stand in need of expression. In love, in art, in avarice, in politics, in labor, in games, we study to utter our painful secret. The man is only half himself; the other half is his expression. Exit Forward The development of the self became a major theme; self- awareness a primary method. If, according to Romantic theory, self and nature were one, self-awareness was not a selfish dead end but a mode of knowledge opening up the universe. If ones self were one with all humanity, then the individual had a moral duty to reform social inequalities and relieve human suffering. The idea of selfwhich suggested selfishness to earlier generationswas redefined. New compound words with positive meanings emerged: self-realization, self-expression, self- reliance. As the unique, subjective