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AbstractSu
Abstract
Su Dongpo’Ci has enjoyed a special position in the history of poetry. The way his ci was circulated and received since his time,however,has not yet been paid sufficient attention to by scholars in relevant fields.Guided by theoretical insights from contemporary communication studies,hermeneutics,
and aesthetics of reception in the West,this paper examines and analyzes
statistically the circulation and reception of Su Dongpo’s a’during the three dynasties of Song,Jin,and Yuan.It shows that although the Northern Song
Dynasty was a time when Ci was flourishing,Su Dongpo Was derided by
fellow pojts for falling to conform to the established norms of C/writing,In the following Period of the Southem Son岛a national crisis kindled for the first time a strong passion for Suls imaginative and unconstrained style.His ci became the object of eager imitation by patriotic scholars,the best—known among whom was Xin Qiji.Being one of the greatest poets during the Southern Song.Xin’S unreserved admiration for Su Dongpo further fanned up the popularity of the latter’S style,A Su Dongpo craze quickly spread from the reading public and the poetry writers to the critics and even the publishers.
This enthusiasm survived a dynastic change.Cai Song Nian was the first
noted mall of letters during the Jin Dynasty to praise Su’S ci highl y.He was followed in the middle Jin by Zhao Bingwen,whose own ci displays the same special charm one finds in Su’S,and in the late Jin by Yuan Haowen。who sustmned and pushed further forward this Su-worshipping tradition.As a result of a passionate reception by these leading literary figures,Sus C/was
esteemed throughout the/in Dynasty as‘the best of all times.”The salve was true of the Yuan Dynasty.Su’S style eontinued to prevail,becoming the main inspiration for even poets of the ethnic minorities.On the basis of this close
examination,the paper concludes that the reception of Su’S Ci did not parallel exactly the evolution of ci as a speci
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