从克里姆特作品看绘画与设计的融合-美术专业毕业论文.docx

万方数据 万方数据 Abs仃actFusion Abs仃act Fusion from Klimt painting and design Abstract：Painting and design are identical twins，they are from the same origins but different branches． In the development of art，painting and design are penetrating，drawing lessons from each other and getting closer and closer in color,composition，shape and even the imagination,mood，emotion and other aspects．Contemporary art is extending to more areas，continuously expanding and restructuring in every aspects．The artist is no longer doing arts for art，s sake simply．Art market guide also catalyzes the individual choice of the artists．This concept has broken the original boundaries of art，SO that artists continue to find themselves，challenge themselves，to enhance the value of the works． The fusion of painting and design has an irreplaceable role in the development of human art． Based on the research of painter Gustav Klimt’works，this article analyzes the design and painting of his work，and explores the impact of age on art．Combined with the present era background，by researching Gustav Klimt’painting，this article is trying to heritage and do creative design practice． In diversity of the present，no—boundary and fusion of art is a deeper artistic creation and becomes to a mainstream trend in the art market，timely,rationality and inevitability． Keywords：Klimt，Painting and Design，Fusion，Creative Practice Ili 四川师范大学硕士学位论文 IV 目次目次 目次 目次 摘要 I ABSTRACT ．III 第一章绪论 ．1 1．1研究背景与意义 ．1 1．2国内外研究综述 1 1．3研究方法与创新点 2 第二章克里姆特作品绘画性分析 ．．3 2．1绘画风格分期凸显 ．．3 2．1．1古典主义风格(1882—1897年) 3 2．1．2象征主义风格(1897—1910年) ．3 2．1．3表现主义风格(1910年——1918年) ．．6 2．2作品母题主观表达强烈 ．7 2．2．1女性题材 一7 2．2．2情爱题材 ．．9 2-3绘画为主的表现技法 10 第三章克里姆特作品的设计性分析 12 3．1造型要素趋于“简练化、抽象化” 12 3．1．1各式各样的“点” ．12 3．1．2意味深长的“线” ．13 3．1．3无限丰富的“面” ．13 3．2画面构成追求明晰的“形式感” 14 3．2．1主体形象边缘化、中心构图空置化 ．．15 3．2-2主体形象扩张化、情景构图局部化 ．．16 3．2．3画面构建块面化、空间表现平面化 ．．17 3．3作品风格“装饰性”特征凸显 18 3．3．1装饰造型要素互为叠加、互为点缀 一18 3．3．2色彩剥离现实，走向视觉纯粹化 一19 3．4作品具有的商业设计性 21 第四章绘画与设计的交融——时代对艺术创作的影响 ．23 4．1克里姆特作品所体现的交融性 23 4．1．1