从完形理论探讨空间装置艺术中场域的形成以AnnaANDERS.pdf

從完形理論探討空間裝置藝術中場域的形成 以 Anna ANDERS ［Marksmen Shooting ］和［PING PONG ］ 作品為例 Adopt Gestalt School of Psychology in forming Field of Installation Art. An exploratory study of Anna ANDERS “Marksmen Shooting” and “PING PONG” *康楸燕Kang ciou yan **邱國峻Kuo-Chun,Chiu *崑山科技大學視覺傳達設計研究所 研究生 Graduate School of Visual Communication Design,Kun Shan University of Technology , postgraduate **崑山科技大學視覺傳達設計研究所 助理教授 Graduate School of Visual Communication Design,Kun Shan University of Technology, Assistant professor 摘 要 在科技藝術的快速轉變下，媒材的轉換導致當代藝術漸漸走向「裝置藝術」與「綜 合媒材」為創作手法，當代的錄像藝術家創作是從思考影像如何建置？轉移到思考裝置 的可能性？及裝置的開展性為何？動態的裝置讓觀者處於影像內與外，形成多角度的觀 看，並且也是視覺與聲覺的總體收受，使觀者進入虛構並目睹一個新視覺體驗。此研究 從完形心理學作為理論基礎，探討在平面視覺延伸至四度空間中是否依然適用，試著從 完形心理學的角度來思考錄像裝置的虛擬場域是如何被建構出來？平面轉換至四度空間 時又有何不同？藉以驗證錄像裝置場域形成的因素，以便日後創作者發想依據，創造出 更多可能性的發展。 關鍵字：完形心理學、裝置藝術、閉合性法則 Abstract The contemporary art goes its way to installation and multimedia. The modern video art is always questioning the dynamic and timeliness of image. Thus, the cogitation of “how to form a image ?” become “how to establish the installation ?” and “the development of this installation ?” dynamic installation outside and inside the screen become the multiplex system we call the multiple receive of “visual ” and “acoustical ”, make the appreciators into the state of “fictitious” and interacting with the art work. In this study take Gestalt School of Psychology as the skeleton of theory discuss how to establish the fictitious field, to demonstrate the factors that installing the field which would become the basis of creation. Keywords ：Gestalt School of Psychology 、Installation Art 、Clos