【精品文档】关于古代汉语言文学专业唐诗宋词有关的外文文献翻译：论唐宋诗词的戏剧性.pdf

Front. Lit. Stud. China 2010, 4(4): 578–601 DOI 10.1007/s11702-010-0112-8 RESEARCH ARTICLE TAO Wenpeng, ZHAO Xuepei On the Theatricality of the Ci-Poetry in Tang and Song Dynasties © Higher Education Press and Springer-Verlag 2010 Abstract Ci-poetry and drama are both genres of musical literature and the theatricality of the ci-poetry is demonstrated from many different aspects, such as the first-person narration, the emotional lyrics with unique features, the musical dialogues between two people or among many people, the dramatic conflict presented in the lyrics, the dramatic actions and the dramatic situations, etc. There are all kinds of plays in the ci-poetry, namely the serious drama, the comedy, the tragedy, the comedy with tears, the fantasy and the allegorical play. The ci-poetry of the Tang and Song dynasties exerted great influence on drama and on the other hand, the army-joining drama of the Tang dynasty and the miscellaneous drama of the Song dynasty to some extent inspired the creation of ci-poetry. The relationship between ci-poetry and drama confirms the mutual infiltration and cross reference among different literary genres in the Song dynasty. Keywords theatricality, ci-poetry, drama Introduction In the late 1940s, Yuan Kejia 袁可嘉, the famous poet and scholar wrote such articles as “Xinshi xiyuhua” 新诗戏剧化 (The theatricality of new poetry) and Translated from Wenxue pinglun 文学评论 (Literary Review), 2008, (1): 120–126 by WANG Hui TAO Wenpeng () Institute of Literature, Chinese Academy of Social Sciences, Beijing 100732, China E-mail: taowenpeng@cass.org.cn ZHAO Xuepei School of Literature, Capital Normal University, Beijing 100048, China E-mail: zhaoxuepei@mail.cnu.edu.cn On the Theatricality of the Ci-Poetry in Ta