基于非线性叙事的交互漫画创作——以《妈妈未成年》创作为例.pdf

基于非线性叙事的交互漫画创作--以 《妈妈未成年》创作为例 摘 要 从纸媒到新媒体时代，漫画呈现方式和叙事形式发生了巨大的变化，实现了声音、 文字、动画、图像等融合，叙事方式也从单一的线性叙事变得多样化。非线性叙事采用 多条时间线的重叠，打破了时间及空间限制，重新排列组合得到一种全新的故事、全新 的体验，而用户的阅读行为也发生了变化，这种变化潜移默化的影响着漫画的发展，题 材分类也日趋多样。但是笔者通过查阅相关的资料，发现腾讯动漫、有妖气、网易漫画、 布卡漫画等大多数漫画APP或网站分类中排于首位的还是少男少女漫画，这些分类中极 少涉猎关于亲情题材，不禁引人深思。亲情作为人类最可贵的感情，本身具有较强的代 入感，很容易引起用户的共鸣，却不能受到创作者和用户的广泛关注，实在令人唏嘘。 本课题通过对亲情类型的非线性叙事的交互漫画- 《妈妈未成年》的创作，讲述了一个 女孩妞妞和妈妈之间相互矛盾，相互需要的故事，并尝试运用交互方式实现非线性的叙 事结构，非线性叙事结构与亲情类漫画的结合，以易于传播的H5为载体，通过两条脉络 的对比来增强故事冲突，运用强烈的色彩对比，来引起用户关注。本课题旨在希望越来 越多的人能够珍惜亲情，珍惜当下。 关键词：非线性叙事；交互；漫画；亲情 I Interactive comiccreation basedon nonlinearnarrative--Take Mothers Minoras anexample Abstract From the paper media to the new media era, the comic presentation and narrative form have undergone tremendous changes, realizing the integration of sound, text, animation, images, etc., and the narrative style has also diversified from a single linear narrative. The non-linear narrative uses multiple timeline overlaps, breaking the time and space constraints, rearranging the combination to get a new story, a new experience, and the users reading behavior has also changed, the impact of this change With the development of comics, the classification of subjectshasbecome increasingly diverse.However,the author has found out that most ofthe comics apps or websites in Tencents animation, demon,Netease comics, and Buka comics are ranked first in the category ofboys and girls, and these categories are rarely involved in family types. Comics cant help but be thought-provoking. As the most valuable feelings of human beings, family theme has a strong sense of substitution, and it is easy to resonate with users, but it cannot be widely concerned by creators and users. It is embarrassing. Through the creation of the non-linear comic book Mother Underage, this topic tells t