浅论意象油画的综合材料运用.docxVIP

经典专科、本科、硕博、研究生、期刊毕业论文 仅供参考 精心整理 仅供参考 勿用作商业用途 目录 TOC \o 1-3 \h \u 1 油画的起源与以及在中国的发展 1 2 意象油画的审美趣味 2 2.1意象油画的衍生 2 2.2意象油画的语言表现 2 3 传统油画材料使用的局限性 3 4 当代“意象油画”作品研究赏析 4 5 综合材料绘画的材料质地美感 10 6 意象油画的综合材料运用创作体会 10 7 小结 13 参考文献 14 浅论意象油画的综合材料运用 摘要 本文以意象油画为对象，综合材料为载体，对单一的架上绘画进行材料多样性的研究，以中国的审美，西方的绘画理念，结合自己的创作实践来完成。“意象”是中国传统审美的表述，其概念最早源于《周易》中的“圣人立象以尽意”，所以“意象”本身就是非常具有画面性的词，中国的传统绘画深受“意象”的影响，近年来，油画与“意象”的融合给中国油画创作带来了新的活力，其中中央美术学院的洪凌教授所创作的作品就是非常杰出的代表。当意象油画突破传统画种材料的局限，再而与综合材料的扩展表现，正是本课题研究的主体。综合材料绘画具有其本身的艺术特征，利用材料本身的质地美感，加上意象油画的意境，形成一种不一样的绘画语言表达形式，展现出绘画的生命律动。 关键词：意象，油画，综合材料 Abstract This article takes the image oil painting as the object, the comprehensive material is the carrier, carries on the research to the material diversity on the single shelf painting, and completes with the Chinese aesthetic, the western painting idea, combined with his own creative practice. Image is the expression of Chinese traditional aesthetic. Its concept originated from the image of the saint in Zhou Yi, so image itself is a very picture word. Chinese traditional painting is deeply influenced by image. In recent years, the fusion of oil painting and image has brought the Chinese oil painting creation. New vitality, of which Professor Hong Ling of China Central Academy of Fine Arts is a very outstanding representative. When the image oil painting breaks through the limitations of traditional painting materials and then expands with the comprehensive materials, it is the main body of this research. The comprehensive material painting has its own artistic features, using the texture of the material itself and the artistic conception of the image oil painting, forming a different expression form of painting language, showing the life rhythm of the painting. Key words: Image, Oil painting, Comprehensive material 精心整理 仅供参考 勿用作商业用途 2意象油画的审美趣味 2.1意象油画的衍生 什么是“意象绘画”？意象油画的本质是油画，油画是西方绘画材料，这种意象渲染方式使中国油画与西方油画不同。首先作为一种视觉艺术，它根植于传统审美意象的内涵之中，表现为以意构境、以意造型、以意生色和以意书写四个方面；其次，作为一种绘画语言，它的创造性思维源于