浅析钢琴曲《浏阳河》对的创作技法————以储望华、王建中版本为例.pdfVIP

摘要 中国的钢琴艺术在不到一百年的历史发展中,从无到有,从萌芽 到发展，从发展到繁荣，逐渐壮大成熟起来。尤其是在新中国 成立以来。中国的作曲家们继承中国传统音乐文化，借鉴了西 方作曲家们的写作技术，在民族钢琴文化的问题上不断探索， 创作出了大量为人们所喜闻乐见的钢琴音乐作品。 本文主要的研究方向是《浏阳河》不同版本的对比，在当今社会 根据民歌而改编的钢琴曲层出不穷，写作的手法与演奏技巧更是 各有千秋。所以本文对于《浏阳河》这首民歌而改编出来的不同 版本加以谈论与研究。 根据储望华与王建中创作的两个不同版本的《浏阳河》，通过 收集相关资料、阅读及对其所整理出来的一系列综合材料进行研 究与总结。首先，了解民歌改编曲《浏阳河》与钢琴改编曲《浏 阳河》的简介。其次，对两个不同版本的《浏阳河》中的旋律装 饰上、和声进行上、作曲风格上、三个方面来进行研究与探索。 最后，详细论述在改编的两首《浏阳河》上看到中国以后的钢琴 民族发展的前景。 Abstract In less than 100 years, Chinese piano art has grown from nothing to development, from development to prosperity. Especially since the founding of new China. Chinese composers inherit Chinese traditional music culture, draw lessons from the western composers writing techniques, on the issue of national piano culture continuously explore, to create a large number of searches for people piano music works. In this paper, the main research direction is liuyang river the different versions of the contrast, in todays society based on folk songs and piano emerge in endlessly, writing technique and performance skills is each has his strong point. Therefore, this paper discusses and studies the different versions of the folk song liuyang river. According to the two different versions of liuyang river created by wang and wang, the author collected relevant materials, read and summarized a series of comprehensive materials. First of all, I understand the introduction of liuyang river and liuyang river.Secondly, study and explore the melody decoration, harmony, composition style and three aspects of two different versions of liuyang river. Finally, the future of the piano national development in China is discussed in detail in the