电影艺术论·金正日.pdf

全世界工人团结起来！ 金 正 日 电 影 艺 术 论 （1973年4月11日） 朝鲜·外文出版社·平壤 1989 目 录 序言············································································································4 生活与文学······································································································6 文学是人学································································································6 种子是作品的核心 ·················································································16 主题的阐发要深含政治意义·································································27 要深入地描写树立革命世界观的过程················································33 斗争中有生活，生活中有斗争····························································43 是结构上的巨作，还是内容上的巨作················································52 要设置好结构的主线·············································································59 按照阶级斗争的规律解决矛盾冲突····················································68 每个场面都要有戏 ·················································································78 从小处开场，从大处结局·····································································85 意深而易懂的台词才是名台词····························································92 作品要很好地体现出情调·····································································99 独创性是创作的本质特点·································································· 105 电影和导演································································································· 113 导演是创作组的司令员·······································································113