全清词顺康卷咏剧词研究.pdfVIP

中文摘要 《全清词》（顺康卷）中所收咏剧词是以戏剧为表现对象而创作的词，反映了 清初时期词与戏曲创作的互动状况。基于咏剧词与戏剧之间的关系，笔者首先对 顺康年间的剧坛状况进行了梳理，对咏剧词作家及其创作进行了描述，据此对咏 剧词的写作背景做了一个宏观把握。咏剧词的特殊性在于它是咏剧对象与作家创 造力的统一体。一方面，它体现了一代文人之戏剧审美观念与价值判断，另一方 面又蕴蓄着作家在戏剧活动中的个人情怀，因而其包含了无限丰富的的文化内涵。 作为一种词体创作，咏剧词是词史链条上的重要一环，是特殊的题材类型，具有 独特的艺术审美价值。 关键词：《全清词》；顺康卷；咏剧词 - I - Abstract The Ci poems on drama in Shunzhi and Kangxi volume in Quan Qing Ci reflect the interaction between Ci poems and traditional Chinese Opera during the early Qing dynasty. In view of the relationship between Ci poems and traditional Chinese Opera, the author firstly collects and cards the material about the dramatic world in Shunzhi and Kangxi periods. Then,the author has a macroscopic view about the writing background according to the description of the writers and their creations. The particularity of the Ci poems on drama is that it is the wing play objects and writer creativity entity. On one hand, it reflects a generation of literati with value judgment drama aesthetic ideas. On the other hand, it carries the writers personal feelings in the drama activities . So it includes rich cultural content. As a kind of word body creation, the Ci poems on drama is an important part of the chain in the Ci history an