眼·神·情——论声乐演唱中眼睛独特性.pdfVIP

摘 要 在表演艺术的大家族中,声乐表演艺术是最古老、也是人们最喜闻乐见的艺术 形式之一。它也是最直接与表演对象发生思想联系、产生心灵共鸣、分享艺术效应 的表现形式之一。 声乐演唱者在舞台上进行表演，完成美的艺术展现时，不容忽视，演唱者不仅 要歌唱，还要有神形兼备的舞台艺术表演。尤其是眼睛，它具有着独特的魅力。演 员在舞台上表演，眼睛的运用是形神兼备的必要手段。所以，人们常用“一身的戏 在脸上，一脸的戏在眼上”这句话来评价一个演员表演艺术水平的高低。这是因为 最能表露人物思想感情和精神气质的莫过于人的眼睛。声乐演员的眼晴用活了，进 而出神，才能在舞台的表演中达到“以眼传神，以神传情”的艺术效果。而歌唱的 真正美、真正价值，是利用正确的发声技巧生动地表达歌曲作品的思想内涵，以声 情并茂的表演去感染听众。表演者的一双眼睛，它具有传神、传情，同时它又对歌 唱的技巧是否到位等有着重要的作用。对于整首作品来说，它又具有画龙点睛的效 果。 本文着重讲声乐演唱中眼睛的独特性，主要从三方面来谈：第一部分表演。第 二部分从演唱技术的角度来详谈。第三部分传情。 关键词： 声乐演唱 眼睛 独特性 Ⅱ Abstract Among the performing arts, the vocal is one of the oldest and most popular one. It is also a performance which has the most direct ideological link with the performers, resulting in spiritual sympathy and sharing of the artistic effect. When vocal artists gives performance on stage, it can not be neglected that the vocal artists not only need to sing but also need the stage performance to demonstrate art physically and spiritually in their artistic exhibition. Eyes, in particular, are very important tools for performers to express the content of songs on the stage. As a result, it is often said that “the whole performance lies in one’s expression while the key of expression lies in one’s eyes”, which is also used to evaluate the level of performers. It is the fact that eyes more than any other organs on human body can show the true feeling and real disposition of a person. It is only when the vocal artists effectively use their eyes on stage that they can achieve the goal of “expr