图真与畅神——唐宋山水画图像述略-论文.pdfVIP

图真与畅神——唐宋山水画图像述略 Subject: On Landscape Paintings in Tang Song Dynastie ——With the Theories of Tu Zhen and Chang Shen Specialty: Fine Arts Name: Dawei Shen Instructor: Baoan Wang Professor ABSTRACT As the crystallization of human beings civilization, the landscape culture is the outcome of peoples activities of exploring and reforming the natural world. Traditionally, the Chinese stick to the belief that peoples life and activities should be in harmony with the nature. This deep-rooted idea of the Chinese brings forth the traditional Chinese landscape painting. Motivated by the beauty of nature, people are willing to integrate their feelings into the landscape painting, as well as landscape poetry, gardens and travel journals, which jointly stimulate the emergence and evolution of the landscape culture. The Wei Jin Dynasties and Sui Tang Dynasties witnessed the formation and development periods of the landscape painting respectively. And the diversity of the landscape paintings styles proclaimed the arrival of its mature stage. By analysing the abundant image materials of Tang Song Dynasties landscape paintings, the author tries to explore the role, function and significance of them in the cultural history, as well as their common theme of Tu Zhen (imitating the nature as real as possible) theory and Chang Shen (the mental delightedness) theory. On the basis of the Chinese aesthetics theory, the thesis elaborates the meaning of image and modality in landscape paintings of Tang Song Dynasties by means of culturology, artistic morphology and iconology. In the first part of the thesis, by analysing the evolution of image styles