论威伯恩风格转型——从表现主义到新古典主义-毕业论文.docVIP

武汉音乐学院硕士研究生学位论文  钱琦  论威伯恩的风格转型  从表现主义到新古典主义  中文摘要  本文以威伯恩的音乐创作为研究对象  以其各个时期音乐创作的情况和相关的  音乐分析为切入点 以对 20 世纪的社会背景 表现主义和新古典主义等流派的起源  及音乐语言的特点为研究基础  结合对威伯恩生平及其艺术追求  阐明威伯恩风格  转型的过程及其原因 正文分为三个部分 第一章将威伯恩的生平及创作历程分为四个时期进行介绍  第二章阐述了威伯恩音乐创作的特征及风格转型  先对其整体创作特征进行研究  再以适当的音乐分析为依据  论述威伯恩从表现主义向新古典主义转型这一历史事  实  第三章站在历史的角度  从社会环境  配器的发展  自身追求等诸多方面找出  威伯恩音乐风格转型的原因  在结语中进行总结  阐明威伯恩的音乐历经了表现主  义向新古典主义的转型 是由他个人的艺术创作理念和音乐史发展的需求所决定的  关键词: 威伯恩  简约凝练  逻辑性  风格转型 新古典主义  1 武汉音乐学院硕士研究生学位论文  钱琦  论威伯恩的风格转型  从表现主义到新古典主义  Abstract This paper expounds the characteristics and reasons of evolution of Webern style combining Webern’s life and his pursuit of art, which takes Webern’s music creation as the research object, takes the situation of his music creations in various periods and relevant music analysis as the breakthrough point, and takes the social background in 20th century, the origin of school of expressionism and school of neoclassicism and etc, and characteristics of music language as the research base. The body consists of three parts: Chapter 1 , introducing Webern’s life and the progress of his composition in four phases. Chapter 2 , elaborating the characteristics of his music creation and the shift of style. Through the analysis of the overall  characteristtics of his creation, and on the basis of  relavant musical analysis, the fact that  Webern converted from expressionism to neoclassicism is discussed . Chapter 3, from the historical prospect of view, reasons for his conversion in threee respcts, including the social environment, the development of the organization of instruments, and his personal pursuit are being found. At the end, the conclusion that the shift of Webern’s music from expressionism to neoclassicism is determined by his conception of musical creation and the requirements of the development of music is drawn, by summarizing the thesis. Key words: Webern ,succinctness and conciseness, logic, converison of the style neoclassicism 2 武汉