青海大学考博英语模拟真题及其解析.pdfVIP

中国考博辅导首选学校 青海大学考博英语模拟真题及其解析 Roger Rosenblatts book Black Fiction,i attempting to apply literary rather tha sociopolitical criteria to its subject,successfully alters the approach take by most previous studies. As Rosenblatt notes,criticism of Black writing has ofte servedasapretext forexpoundingo Blackhistory.Addiso Gayles recentwork,for example, judgesthevalueofBlack fictio by overtly political standards,rating each work according to the notions of Black identity which it propounds. Althoughfictio assuredlyspringsfrompoliticalcircumstances， itsauthors react to those circumstances i ways other tha Geng duo yua xiao wa zheng kao bo ying yu zhe ti ji qi jie xi qing lia xi qua guo mia fei zi xu dia hua: si ling ling liu liu ba liu jiu qiba ,huo jia zixu qq: qi qi er liuqiba wu sa qi ideological,and talkingaboutnovelsandstoriesprimarilyas instrumentsof ideology circumventsmuch ofthefictionalenterprise.Rosenblatts literary analysis discloses affinities and co ections among works of Black fictio which solely political studies have overlooked or ignored. Writing acceptable criticism of Black fiction,however, presupposes giving satisfactory answers to a number of questions. First of all,is there a sufficient reason,other tha the facial identity of the authors,to group together works by Black authors？ Second,how doesBlack fictio make itselfdistinct from othermoder fictio with which it is largely contemporaneous？ Rosenblatt shows that Black fictio constitutes a distinct body of writing that has 中国考博辅导首选学校 a identifiable， coherent literary tradition. Looking at novels writte by Black over the last eighty years, he discovers recurring concernsand designs independentof chronology.These structuresare thematic,andtheyspring,notsurprisingly,fromthecentralfactthat the Black characters i these novels exist i a predominantly white culture