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NATURE AND ART
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James Whistler
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Nature contains the elements, in colour and form, of all pictures, as the keyboard contains the notes of all music.
But the artist is born to pick, and choose, and group with science, these elements, that the result may be beautiful—as the musician gathers his notes, and forms his chords, until he brings forth from the chaos glorious harmony.
To say to the painter, that Nature is to be taken as she is, is to say to the player, that he may sit on the piano…
The dignity of the snow-capped mountain is lost in distinctness, but the joy of the tourist is to recognise the traveller on the top. The desire to see, for the sake of seeing, is, with the mass, alone the one to be gratified, hence the delight in detail.
And when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanile, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairy-land is before us – then the wayfarer hastens home; the working man and the cultured one, the wise man and the one of pleasure, cease to understand, as they have ceased to see, and Nature, who for once, has sung in tune, sings her exquisite song to the Artist alone, her son and her master – her son in that he loves her, her master in that he knows her.
To him her secrets are unfolded; to him her lessons have become gradually clear. He looks at her flower, not with the enlarging lens, that he may gather facts for the botanist, but with the light of the one who sees in her choice selection of brilliant tones and delicate tints, suggestions of future harmonies.
He does not confine himself to purposeless copying, without thought, each blade of grass, as commended by the inconsequent, but, in the long curve of the narrow leaf, corrected by the straight tall stern, he learns how grace is wedded to dignity, how strength enhances sweetness, that elegance shall be the result.
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