马玉欢 正式论文【荐】.docVIP

2014届本科生毕业论文 题目 宫崎骏动画电影画面构图研究 作者姓名 马玉欢 指导老师 王璐老师 二级学院 戏剧影视文学 学 号 100093 宫崎骏动画电影画面构图研究 摘要 宫崎骏是当代口本动画电影的重要代表人物之一，同时，也是对中国影响力最大的口本电影导演之一。他的作品在中国国内广为流传，并得到广泛的赞誉。从上世纪九十年代开始就不断有对宫崎骏动画电影作品的研究，但是，基本上都停留在对其一部或某几部作品的分析的层面。直到目前，国内对宫崎骏导演的研究仍旧没有系统展开。 本文以艺术学、影视美学为理论基础，以宫崎骏的全部动画电影作品为研究文本，透过其带给观众的表层愉悦，探寻导演的创作理念。首先系统介绍日本动画片的发展状况、宫崎骏的创作生涯以及他所持有的动画精神;接下来分析宫崎骏动画在影像和叙事方而所具有的风格特征;并且对宫崎骏动画电影的主题进行深入剖析。 最后着重讨论宫崎骏动画电影对中国动画电影的发展有何新的启示。中国动画电影起步不晚，曾经辉煌，但现状堪忧。本章从内容和艺术两方面以中国动画现状对比宫崎骏的动画，联系传统来谈如何吸取他的启示，将中国动画再次推向辉煌。 关键词：宫崎骏动画 艺术手法 主题元素 民族文化 动画语言 　　　 Study on the form of animation frame Miyazaki Hayao Abstract Hayao Miyazaki has be praised for as one of the representative of Japanese animation film in present age and one of the most infective editor to China as well. His works were wildly spread and praised in China. Continually, there are a few articles researching Hayao Miyazaki‘s works from 1990s.However, these researches are based on just one or two films of Hayao Miyazaki‘s. Until now, the research on this director hasnt begun systematically. The theory of the thesis is based on the video Aesthetic and the Art; all of Hayao Miyazakis animated films as the studied objects, the thesis through the surface pleasure that to bring audience to explore the creative concept of the director. The first chapter introduces systematically the development of Japanese animation, Hayao Miyazakis animation career, and his profound spirit; next, the thesis analyzes the style and characteristic of images and narrative in Hayao Miyazakis animation; at last, to focuses on the theme of Hayao Miyazakis animated films. The final chapter of this paper mainly discussed what enlightenment Chinese animation film got from Hayao Miyazakis films. The beginning of Chinese animation film was not