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                Prof.LotharvonFalkenhausen讲座英文稿西周晚期到春秋時期青銅器的文化作用,harvon缘,schaffhausen,iwcschaffhausen价格,万国表schaffhausen,万国schaffhausen,falken轮胎,falken,oberhausen,steinhausen
                    
Lecture Cycle: Chinese Bronzes, 850-400 BC: Issues in Interpretation 
                                                             Prof. Lothar von Falkenhausen 
This   cycle   of   lectures   addressed   the   development   of   Chinese   bronzes   from   what 
earlier scholarship referred to as the “Middle Zhou transformation” to the beginnings  
of the Warring States period. These four-and-a-half centuries saw two major bouts of 
stylistic and typological transformation: the Late Western Zhou Ritual Reform about 
850 BC, rightly emphasized in the work of Jessica Rawson since the 1980s, and the 
Middle   Springs   and   Autumns   Ritual   Restructuring,   first   identified   by   Lothar   von 
Falkenhausen building on previous observations by Li Ling and other scholars. One 
main     emphasis     in   this  cycle   of   lectures   is  to   introduce    the   second    of   these 
transformations,   which   had   been   little   noticed   previously.   Lectures   2   and   3   were 
therefore     devoted    to  the  discussion     of  the  Middle     Springs    and   Autumns      Ritual 
Restructuring      and   its  significance.    By    way   of   an  introduction,     the  first  lecture 
discussed the Late Western Zhou Ritual Reform, and the concluding fourth lectures 
presented a more   general narrative of relevant   art-historical changes during the late 
Bronze Age. 
(1) From the Late Western Zhou Ritual Reform to the end of the Early Springs 
and Autumns Period 
The first lecture began by describing the major archaeological components of the Late 
Western      Zhou    Ritual   Reform:    changes     in  vessel   typology,    intimating    new    ritual 
usages; changes in vessel assemblages, manifesting the standardization of social ranks 
within the élite stratum of society during that time; changes in vessel ornamentation, 
probably      showing     changes    in  the   religious   significance     of  the   motifs;   and   the 
invention     of   ton
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