NuEar Wave6 音箱 Vevik Maddala 听音评测.docVIP

美国音乐创作家 Vivek Maddala（以下根据作者原文编译） 图1：Vivek Maddala Vivek Maddala is an international award-winning composer for film, TV, theater, and dance.? He is also a multi-instrumental performer and record producer who has worked with a range of artists from around the world.? Find him on the web at Vivek Maddala 是位获得过国际大奖的为电影、电视、戏剧、舞蹈制作 编曲的作曲家（如图1）。 也是位精通多种乐器的演奏家,同世界各地的艺术家 都有合作的录音制作人。请浏览 Vivek 的个人网页了解更多 图2：NuEar Wave6 图3：Vivek 在工作室 As a film music score composer and record-album producer, I find myself wearing many different “hats” in the course of completing a project—composing themes, designing soundscapes, orchestrating, playing instruments, recording performances, and mixing and mastering the recordings.? These varied functions have one common feature:? I am constantly listening attentively to the output of my studio loudspeakers (sometimes up to 16 hours a day) to monitor the quality of each stage of the project. 作为一名电影配乐作曲家和专辑录音制作人,在项目完成期间我发现自己扮演着很多不同 的角色——主旋律创作,管弦乐创作,声景设计,乐器演奏,现场录音,混音以及灌录唱 片。这些不同的工作都具有一个共同的特点,那就是我必须长时间持续聚精会神地倾听我 录音棚监听音箱的输出(有时候一天听 16 个小时),从而监听整个项目当中每个阶段的 声音质量。 Of course, this raises the question: how good do the studio loudspeakers need to be?? The aphorism about the quality of a carpenter’s work being limited by his tools has parallels here.? What I hear coming out of my loudspeakers is the only information I have with which to make judgment calls about tonal and level balance, dramatic effectiveness of music to picture, etc.? In my studio, I have employed a range of high-quality reference monitors to ensure I have the proper tools to make accurate decisions—from speakers made by Dynaudio, to original V-series KRK, to boutique designs.? I am continually searching for new tools to help me do my work… and to this end, I recently acquired a pair of NuEar Wave 6 powered studio monitors. 显然,这就会产生一个问题,到底录音室采用的监听音箱要多好才行?这或许就印证了 “工欲善其事,必先利其器”那句格言。我从个人监听音箱里所听到的东西就是我能掌握 的判断声调、声压平衡性、剧本影音配合效果等方面的唯一信息。在我个人的录音工作室 里,我已经采用了一系列的高品质参考级监听音箱来保证自己能拥有合适的工具,做出精 确的判断决定