秀出京派+承传统——李健吾咀华批评二题.pdfVIP

摘 要 摘 要 李健吾是中国现代文学史著名的批评家 写了大量的批评文章 其中以两部 咀华集 最为著名 也最能代表他的风格 本文即以 咀华批评 为主要剖析 对象 对李健吾的批评品格进行两方面的探究 第一 咀华批评与京派批评的关 系 文学本位的独立立场 东西整合的文化思维与文化启蒙的努力 是京派批评 的宏观文化特征 这成为京派一员李健吾的批评背景 同时 李健吾又以他的咀 华批评的三大特征 印象主义特色 对批评独立地位的体认以及结合于人性批 评的现实主义精神 标识了他在京派和整个现代文学史上的批评家地位 第二 咀华批评与传统批评的具体联系 李健吾深谙传统文化 他的咀华印象批评与传 统批评具有诸多相通之处 重实践 轻理论 将批评作为实践人生的媒介 平等 宽容 真诚的批评理念 现实关注与形而上哲学探究于一体的人本审美价值观 整体直观 自由跳跃的直觉批评思维 散漫而简练 优美而形象的 以诗赏诗 的文体风格 关键词 李健吾 咀华批评 京派批评 传统批评 I Abstract Abstract JuhuaJi is most widely known and best refects the style of Li Jianwu’s criticisms. This thesis taking Juhua criticism as main object of analysis, explores Li Jianwu’s style of criticism in two aspects: First, the character of culture of Beijing school’s criticism is the background of the Juhua criticism, including the standpoint of literary departmentalism, the thinking made integrating the east and west culture and their efforts for cultural enlightenment. Meanwhile, the recognition of the peculiar position of criticism and the eombination of humanism and realism marks Li Jianwu’s position in modern literature history. Secondly, Juhua criticism has many things incommon with traditional criticism: emphasis on practices not on theories; notion of equality, tolerance;taking writers as teachers and friends; ralues humanism mixed with his concern for reality and philosophy exploration; intuitive logic which is free in thinking; concise and elegant who appreciates poetry by poetry. Key words: Li jianwu ; Juhua literary criticism; Criticism of Beijing school; Criticism tradition