武氏祠画像石拓片黑白装饰性的研究和应用.pdf

摘 要 本文主要探讨汉代武氏祠画像石中人物，动物以及植物的制作方式，所引导 出的一种拓印绘画的效果——黑白效果。基于画像石中形象，构图，留白的不同 而产生不同的黑白效果的分析，从而指导另一种功能性的艺术产物——插图。通 过对汉画像石黑白装饰性形象的特点的研究，进入到插图表现的探讨，使之与现 代插图创作相结合，弘扬传统文化艺术的同时，产生出一种新颖的绘画方式以及 效果，并为插图的创作方法拓宽内容。 画像石在对时代文化以及社会环境的借鉴中，形成了自己独特的艺术形式。 在其背后，也蕴含着民众的心理需求和精神寄托。本文结合相关学科的研究成果， 从整体上对武氏祠画像石进行分析，本文旨在综合图案学、艺术心理学、美术学 等相关学科知识，以图案学为重点阐述对象。对武氏祠画像石的艺术形态、造型 语言进行全面的分析研究。特别是在透视的处理、线条运用、繁与简的对比上进 行造型语言的分析。汉代画像石艺术是一个时代的历史画册，在这样信息飞速的 社会中，愈发显示出他的艺术价值和文化价值。 关键词：汉代画像石；武氏祠；黑白；装饰性；插图 ABSTRACT This paper mainly discusses the Han portrait stone figures in the temple, animal and plant production methods, which lead to a rubbing painting effect -- effect of black and white. Based on the stone relief image, composition, black and white effect analysis, so as to guide another art products -- illustration. Through to the Han portrait stone and decorative features of the image research, into the illustration manifestations of, and make the modern illustration combination, promote traditional culture and art at the same time, to produce a new painting style and effect, and for illustration method expands the content. Portrait stone at times on the cultural and social environment in the reference, and formed its own unique artistic form. In its backside, also contains peoples psychological needs and spiritual sustenance. Based on the research results of the related disciplines, from the whole of the figure painting stones were analyzed, this article aims at the integrated pattern study, psychology of art, art and other related discipline knowledge, learn to focus on objects with pattern. On the portrait stone temple art forms, to conduct a comprehensive analysis of the modelling l