《表演重塑：臺灣「莎戲曲」演員的身體異化》.pdf

39 表演重塑： * 臺灣「莎戲曲」演員的身體異化 陳芳** self- consciousness refashion Maurice Merleau-Ponty phenomenal body Eugenio Barba Nicola Savarese Theatre Anthropology 關鍵詞 ：表演重塑、表演身體、莎戲曲、跨文化、當代戲曲 39-67 TAIPEI THEATRE JOURNAL 20 (2014) : 39-67 School of Theatre, Taipei National University of the Arts 103.03.17 103.05.05 *NSC 102-2410-H-003-122 Bodily Thinking, Thinking Body: An Observation of Taiwan Xiqu Actors Cross-cultural Performances Chinoperl AAS Philadelphia 2014327-30 201420144 4-6 ** 40 戲劇學刊 Refashioning Acting: The Foreignization of Taiwan Shake-xiqu Actors’ Bodies Fang Chen* Abstract What is acting? If acting is to enable actors to discover their self-consciousness, and to express the distinguishing features of their culture, then how do actors handle their bodies under the formulaic restrictions of xiqu . When these experience a multicultural environment how do they handle model, change, and develop their bodies? The interpretion of the performers of Taiwanese Shake-xiqu, for instance, is more like innovation rooted in tradition.This paper aims to define this innovation using the term refashion, and will employ Maurice Merleau-Pontys concept of the phenomenal bodyand combine Eugenio Barbas and Nicola Savareses power- using principle of Theatre Anthropologyto analyze the skills of performance on the stage in order to construct an aesthetic of the performing bo