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a coleridgean strongaccountstrong of meditative experience
Journal of Philosophy of Life Vol.3, No.1 (January 2013):44-67
A Coleridgean Account of Meditative Experience
*
Peter Cheyne
Abstract
This paper presents an exploratory account of contemplation and meditative experience as found in
Coleridge’s ‘Meditative Poems’ and in the nature writing recorded in his notebooks. In these
writings, we see the importance of meditative thinking as an exercise concerned with spiritual
transformation towards the true, the good, and the beautiful. Sometimes meditation is used as a
practical device to stimulate the imagination. At other times it is used as a method to map and
follow a train of thought outside the head, as it were, in the immediate landscape, which process is
related to the communing with nature as that Coleridge and Wordsworth pursued. I examine
Coleridge’s ‘Meditative Poems’ and notebooks in order to situate his approach to imagination and
Idea as applied in his poetic thought.1
Contemplation has received recent attention in the fields of aesthetics of natural
environment, and aesthetics of art (See Carlson and Berleant, 2004, and Cooper,
2006). This paper is presented in the hope of contributing a Coleridgean
perspective to this discussion, a perspective that takes its starting point from the
transcendental argument that any theory of human life that cannot account for
poetic creation and the movement towards contemplation must be incomplete.
This paper’s title italicizes the ‘an’ in Coleridgean to highlight that I present an
account of meditative experience inspired by Samuel Taylor Coleridge’s
insightful writings, but not always literally and directly traceable therein.
The ideas of Coleridge most germane to meditative experience can be found
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