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flannery strongostrongconnor fiction as theological parable
Flannery OConnor: Fiction as Theological Parable
Senior Paper
Presented in Partial Fulfillment of the Requirements
For a Degree Bachelor of Arts with
A Major in Literature at
The University of North Carolina at Asheville
Fall 2008
By Halley Thompson
Thesis
Dr. Deborah James
Thesis Advisor
Dr. Michael Gillum
Flannery OConnor: Fiction as Theological Parable
Halley Thompson
Fall 2008
Dr. Deborah James, Thesis Director
Dr. Michael Gillum, Thesis Advisor
Flannery OConnor : Fiction as Theological Parable
Flannery OConnor wrote over two dozen short stories and two novels in her
short lifetime. In addition, OConnor also wrote at length about her fiction. Her
nonfiction—letters, essays, and lectures—display an insistence on correct interpretation;
these works contend that there is only one true meaning of her fiction work. While many
writers are unconcerned with interpretation, even eliciting reader response through the
intentionally vague, OConnors nonfiction offers itself as a guide to interpreting her
fiction. In reading her nonfiction, it becomes clear that she intends to guide the reader to
find divine mystery, or religious inspiration. Because of this religious intent and
structure in her work, OConnors fiction seems to mimic the form of parable. Parable, in
the theological sense, is an attempt to relate a religious meaning through the vehicle of a
metaphor which implies a higher meaning within the use of a commonplace, or realistic
tale. Violence in OConnors writing, a central theme in much of the body of criticism
ab
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